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SpenceKenzer
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bullet Posted: 3/16/09 at 12:33pm
Bear with me, as this requires a bit of explanation.

At our CT every actor who is cast in a show, as well as the director and the stage manager, MUST become a member "in good standing" of the CT by the 2nd rehearsal (all other production team and backstage people are "strongly encouraged but not required to become members).  That can be done in one of 3 ways:
(1) become a Donating Member by making a charitable donation of $20.00 or more to the CT (receipts for income tax purposes provided)
(2) become a Subscribing Member by purchasing a season ticket for the rest of the current season (including the show you're in)
(3) if you can't really afford (1) or (2), then you can just pay the minimum Annual Membership Fee of $20.00

ALL members of our CT receive one "Two-For-One" gift voucher; Subscribing Members receive one of these per season ticket seat purchased.

We don't give our actors (or director or SM) comp tickets.  We rationalize that each actor has a "Two-For-One" that can be given away, and those who became Subscribing Members already have a ticket he/she can't use (because he/she is in the show) that can be given away.

This policy has been around for decades (we're in our 83rd season), and was established in the days when "being a member of the club" was a much bigger thing than it is today.

We DO give away a pair of comp tickets to other people who "make a significant contribution to the production", such as the loan of props or the teaching of a skill (dancing, fighting, sword play, baton twirling, whatever) to cast members for the show, etc.  These people are NOT cast members and are NOT production team or backstage crew members.

We also give comp tickets to our Corporate Sponsors (upon request, number depends on size of donation) and a pair to each of our local media outlets (print, radio, TV) for promotional give-aways.

Any other comp give-aways must go thru our CT's board.
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MartyW
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bullet Posted: 3/16/09 at 1:13pm
hey there.. I'm ok with some comps, but the orginal posters "consolation prize" scenario is over the top...  I too am from the "one comp to each of the cast & crew" theater... It seems to work, but hopefully the goal is to get more folks in (or as Pdavis explained) help out that might not be able to come otherwise... The problem I have with our method, generally, is that it tends to appear to be a "thank you" to those cast & crew.  As someone mentioned, the cast, for the most part, wanted in... they auditoned. And yes, the rest of us volunteered... But, petty as it may sound, when a walk on actor, (or even the star) gets a ticket (and the applause) it dosen't sound quite equitable for the costumer, set designer, dresser, builder, etc. etc. etc. that puts countless hours into a show for, if looking for reward, the same ticket... Like I said, petty gripe, it all works out, but its not a perfect system.
Marty W

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SpenceKenzer
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bullet Posted: 3/16/09 at 6:23pm
Originally posted by MartyW

hey there.. I'm ok with some comps, but the orginal posters "consolation prize" scenario is over the top...  I too am from the "one comp to each of the cast & crew" theater... It seems to work, but hopefully the goal is to get more folks in (or as Pdavis explained) help out that might not be able to come otherwise... The problem I have with our method, generally, is that it tends to appear to be a "thank you" to those cast & crew.  As someone mentioned, the cast, for the most part, wanted in... they auditoned. And yes, the rest of us volunteered... But, petty as it may sound, when a walk on actor, (or even the star) gets a ticket (and the applause) it dosen't sound quite equitable for the costumer, set designer, dresser, builder, etc. etc. etc. that puts countless hours into a show for, if looking for reward, the same ticket... Like I said, petty gripe, it all works out, but its not a perfect system.

The comp ticket given to any cast or crew member SHOULD NOT be considered in any way a payment for their services.  You're correct that the costumer may have spent many hours but the bit part actor may have spent less time. 

The comp ticket is an UNCONDITIONAL BONUS given to me just because I'm part of the production team.  I don't expect a comp ticket to represent IN ANY WAY the size of my contribution to the show.  (Not to put it too bluntly, but anyone who does expect that should probably put their psychoanalyst on danger pay.) 

REMEMBER:  the word "amateur" means "for the love of it", not "for how much they'll give me to do it".  If, as a bonus, I get a comp ticket, I should count my self lucky.
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MartyW
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bullet Posted: 3/17/09 at 7:55am
Woah Spence.. Look deeper, I'm on your side... lol
Marty W

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SpenceKenzer
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bullet Posted: 3/17/09 at 4:19pm
Originally posted by MartyW

Woah Spence.. Look deeper, I'm on your side... lol

Smile I sometimes let myself get a bit carried away when it comes to theater stuff.  Sorry if I came on too strongly!Embarrassed
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jcf0mtr
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bullet Posted: 3/30/09 at 1:03pm
Our company provides each cast member 2 comps and two "friends and family" discount tickets.    The comps and friends and family tickets are good for any night of a run, but are limited to the back 1/3 of our theater and are on a space availablity basis only.
 
The friends and family tickets are at approximately 1/3 of the normal price.   This produces additional ticket sales that more than compensate us for the discounts.
 
We also give our corporate sponsors a block of seats on the opening night of each production (when sales are historically low), and provide them a reception before the show.    This has worked well in keeping corporate money coming in - even now that the economy is down.
 
Finally, there is a special needs community center we provide tickets to on nights where this no sell-out.   
Joe
Pembroke Pines Theatre of the Performing Arts
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MartyW
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bullet Posted: 3/30/09 at 1:37pm
aaahh corporate sponsors.. what a concept... 
Marty W

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actornorth
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bullet Posted: 3/23/10 at 7:19pm
Our organization is going through a debate regarding comps.  Our policy is to give every cast and crew member one comp and use about 30 for media.  Now, the director wants seats to be filled and wants a flood of comps to offset low sales.  Do other groups do this?  Does your group have a firm policy regarding comps?  Any guidelines you can offer?
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David McCall
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bullet Posted: 3/23/10 at 8:46pm
The trick with comps is to try to give them to people that wouldn't have bought a ticket otherwise, or give them to people that will bring other people along that will pay. Actors friends and family are your most reliable customers in a community theater. They will come, and they will buy tickets. If you do give actors a comp, perhaps it would be smarter to give out one per night.
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JoeMc
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bullet Posted: 3/25/10 at 7:50pm
As was done by PJ Barnham, he give out a heap of single comps to everyone, when his circus first came to town, which virtualy would gaurentee full houses for each show. Because one single comp wouyld generate a number of other paid punters within the families.
Besides handing out comps we have donation boxes stategicly placed in the foyer. This can generate as much if not more than selling each ticket for the show.
Our first show a few years ago we averaged about $40/seat when the full  ticket price was only $12 each.
Since then they have continued to build a healthy punter demographic in an area that is not noted for theatre atendance.
An ameatre here in Fremantle are quite liberal with handing out comps, which always ensures them a full house & they flog loads of goodies in the kiosk.
Which more than makes up for any perceived loss.


Edited by JoeMc - 3/25/10 at 7:57pm
[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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