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POB14
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bullet Posted: 12/16/06 at 11:14pm
Now I'm replying to myself.  I'm such a jerk.
 
Anyway, I did get cast (playing 3 small roles), yay, but I still think it's a poor way to run a railroad.
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DWolfman
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bullet Posted: 12/17/06 at 8:44am
Originally posted by POB14

Now I'm replying to myself.  I'm such a jerk.
 
Anyway, I did get cast (playing 3 small roles)
 
And it was so nice of you to list those three roles in your signature.Wink
 
And, since I started the thread, (and so you won't think you're only talking to yourself, POB) I would like to thank all of you for helping analyze my angst. 
 
The show went well, all I heard about was "what a wonderful cast you've got.  They really made the show."  However, a few Christmas Cards that normally are sent my way have not made it thus far (am still sending mine using the same list I always do).
 
Have agreed to direct next season as well, so will carefully consider the responses given here.  By the way, a young lady who was not cast in my show cornered me later and said "Thanks for calling!  You're the only one here who does that."
 
So much for what I've been told was a "theatre rule", huh?
Even a man who is pure of heart...
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POB14
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bullet Posted: 12/18/06 at 10:16am
Originally posted by DWolfman

And it was so nice of you to list those three roles in your signature.Wink
 
You know, that pretty much works . . . Old Man, Angus, and Guard!
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B-M-D
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bullet Posted: 12/18/06 at 3:03pm
Originally posted by DWolfman

[  By the way, a young lady who was not cast in my show cornered me later and said "Thanks for calling!  You're the only one here who does that."
 
So much for what I've been told was a "theatre rule", huh?
 
I'm not so sure it's a "rule."   What I object to are theatres that make it a requirement to call the folks that didn't get cast.   If you've got the patience and time for it, more power to you.
BD

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jdlewallen
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bullet Posted: 1/14/07 at 4:18pm

One of our CTs calls everyone either way.

The other one asks for an email address on your audition form, and emails the cast list to everyone who auditioned, and you are to call or reply to accept or refuse your role.  They also post the list at the theatre.


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NagarWSF
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bullet Posted: 1/18/07 at 3:45pm
In response to a reply by Joe in AU, comps for the production? I think that's a little much.
 
Anyway, I like to be up front at the beginning that if you are called back or cast you will be called by XXX date. If not, thank you for auditioning, blah, blah, blah. I have worked in many professional theatres, and you never get called if you don't make it. The occasional exception is with kids. Like, little kids. 5, 6, 7 years old. Otherwise, I agree with the poster who said that the best way to portray a professional quality community theatre, is to act professional! Well, at least on this issue!
 
A few of you have suggested a thankyou note. That's not a terrible idea, provided you have the time, and you don't get into the details of why the actor wasn't cast. Just a generic "thanks for auditioning. Pleas try again in the future, yada, yada.
 
Anyway, a pint o' Killians for me lads and lasses! Later!Wink
 
-Sandy Nagar
 
Working Class Theatre Company
www.workingclasstheatre.org
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Davenport Scott
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bullet Posted: 2/03/07 at 3:28pm
One of the CTs I work with announces the cast at the end of the second day of auditions.  They don't hold callbacks at all.  Anybody who was there the first day will be called if they are cast.  And they are welcome to call if they didn't hear anything.

Some others in the area have different policies based on the individual director.  Some call everybody, either yay or nay; some just call those who are cast.  As a director, I prefer to only call those that are cast and I announce that at the auditions.  But I never just leave a message and assume it was received.  I speak to everyone personally. 

If someone would like to talk to me about why they weren't cast, I'm open to that too.  I try to find positives and encourage them, but I never blow smoke up somebody's ass.  Quite often, I just had to choose, and the reasons can seem so inconsequential to the person hearing it.

As an actor, I really don't care how it's handled, as long as I know which way it will be.
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dancingbarefoot
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bullet Posted: 2/26/07 at 2:13am
At our theatre we have two paid office employees (I'm the part-timer). It is our job following auditions to call those who were cast. When we leave a message for someone we ask that they call us back to accept or decline their role. We have to have acceptance from everyone before "publicizing" any of the casting (to those in or out of the cast), so that if roles are declined those that fill the roles don't feel like second-fiddle. Those who are not cast receive an email (or letter) thanking them for participating and are invited to volunteer or get involved in the production another way (if they indicated an interest on their audition form).

All that audition are informed of our policy when they audition and told when they can expect the call (the following day, or after call-backs if we have them, don't make them wait). Occassionally someone calls to see if they've received a role and it is always awkward, but most respect the policy. There are sometimes those that want to speak to a director about why they weren't cast and in this case we offer to give the actor's info to the director. From there it's up to the director if they want to offer what constructive critisism they can.
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bullet Posted: 2/26/07 at 9:30am
We just held our auditions for "The Music Man".  For the first time ever I emailed people the cast list and had it posted to the web site, instead of calling.  It worked famously. I only had to call 2 people who are technically challenged (no email).  It also gives the people who audition a way to contact me back if they need to. I would suggest sending out a test email first, just to make sure it gets to them before you send out the real thing. Thanks to those of you who suggested this great idea! Clap  It was a lot easier than making 50 phone calls.
 
 
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Ken W
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bullet Posted: 2/28/07 at 2:42pm
Most of our shows have "light " turnout at auditions.  The ones I have diredted I had to twist arms and convince people that they really wanted to be in their third show in a row.
I have however auditioned at other theaters, and did not receive a call if I was not cast.
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