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 Community Theater Green Room Discussion Board :Producing Theater :Lights and Sound
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drose
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bullet Posted: 11/01/07 at 1:12am
Well, you certainly picked up the slack!  (Hope Gaafa is alright?) Thank you for bringing the name and dates onto this page.  I don't think everyone makes it to the events page.  but just for the record, Fools Theatre's GRAVE READINGS (Oct. 31) was very well recieved.
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JoeMc
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bullet Posted: 11/01/07 at 1:30am
That's great drose, had any feed back from the punters as yet?

As for gaafa he is fineOuch
I felt he was hoggingPig the forum too much [1K of the posts] So I thought he needs to be filed away for a while Embarrassed - untill he realises that it is far better to share around!Wink
[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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drose
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bullet Posted: 11/01/07 at 6:58pm
You make me laugh.  I have an alter-ego on this forum...but I have forgotten her login password, so alas!  I have had to abandon her.  As for Grave Readings...well recieved, good reviews from trusted sources; so I'm hoping the word of mouth sells the tickets for the last two showings.  One of the pieces was my own, and it held its own in some very prestigious company (Poe and Noyes).  So I am very pleased.
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JoeMc
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bullet Posted: 11/02/07 at 2:43am
with me it's more of an altered ego or could even be an Ultra one.
it came about with the great crash of the Greenroom a while ago now. After Chris & Mike managed to get the site working again. Which must of been a mamoth task, after being hit by a 'Hacker' getting thier jollys off.
I attempted to post as Gaafa again, but ended up registering as plain joe Mc instead.
It was undoubtably my fault, I probably put the MacHines into a 'Temporal Flux' or sent into a 'Hystereses Loop' at least. {I always thought for years that the first was a women thingy & state of mind, then the latter a contiseptive device?] But when my son set me up with his handmedown computer & updated me - Gaffa raised his ugly head again, it was amasing just like magic!Ying%20Yang
Not only but also, I had a clue in finding your lost AE mate by checking if she was registered on your birthday?Lamp
NBG your the only one celebrating in that monthCry - not long to go before you reach the big one now -Clap {although some yoyo's reckons it it's the new 20?Clown Weird I don't feel like 40, I wonder wot gum tree they are sitting in?Tongue}
Anyhow it's great your play did well!
The Poobah of our mob has writen a show 'Corpse cabaret' they are planning to do as the next production in '08, I talked her into directing it herself. But in the mean time she gone & got her self a job in America. I'm not sure where but it;s over there some place. I think it must be connected to theatre, as she has a degree in theatre from the local Uni.Question
She stepped into the breach recently when our President moved to the other side of the river. To date she has done a great job getting them all back on the tracks, pity she plans to evaporate.
Now they are all running around like chooks with thier heads chopped off, madly chasing a director from somewhere else!
I though I had engineered them to do thier own thing & be self contained from within. Strange what panic will do, as the first audition is on this Saturday, so why hit the big red button, they have heaps of time?Evil%20Smile
Anyhow 'Toi Toi Toi choookas' for the rest of the season drose.Star



[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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drose
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bullet Posted: 11/02/07 at 12:09pm
The title:  Corpse Cabaret is very intriguing.  I'm a little bit glad she isn't directing it herself - for her sake.  Maybe it's my inexperience, but twice now I've directed full shows that I wrote and they were both very unpleasant experiences.  I find it very difficult to step back and let the actors do their job.  I have a very distinct image in my head for all "my" characters  - how they should move, act, talk, gesture...and it was nearly impossible for me to let the actors play and develope their own.  I think I managed to let go enough for the actors to feel good, but it was so hard for me!   I spent a lot of time feeling like the show sucked, because it wasn't EXACTLY what I pictured when I wrote it.  But in hindsight, the cast did a good job and I'm pleased that my work was able to stand up under "other" interpretations.  But Ohmygod!  I really don't like directing my own work!  (Except that I can cut it at will, and tease the actors with phrasing like, "I spoke to the playwrite and she agrees with me..."  I like doing that.)
 
On a completely different note.  I am working hard at developing my lighting design skills.  Anyone have any recommendations on lighting texts that aren't written for post-doctoral engineers?  Like a Stage Lighting for Dummies?  I have a mentor, but he isn't always available to answer my sometimes (annoyingly) basic questions about gels and focus.  I guess I'm a little more interested in the artistic aspects as opposed to the technical (ie. mathmatical...ick!) part, although I realize that I need both ends of the spectrum.
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bullet Posted: 11/02/07 at 9:52pm
The net is a great resource for lighting these days & a couple of the better sites are;-
Lighting for students by J E Saltzberg;-
http://www.stagelightingprimer.com/

Stage Lighting Design 101by Bill Williams;-
http://www.mts.net/%7Ewilliam5/sld/sld-toc.htm
You can't go to far wrong, as they are focused around the American stage & fixtures, you would normaly come into contact with. Which may assist you better because they use your supply low voltage & of course resulting higher current values. For safety reasons this a major factor in your situation.
Not from the design piont of view but a hands on techie enviroment.
Women have been making thier mark on Broadway, from as early as the 20's  as designers & still  are  today in a lot of theatres.
Although they tend to be thin on the ground in Comeatre. I believe mainly because most groups are hard pressed finding techies, they tend to hunt for blokes primarily & have a hang up when giving a female a go. Which offer a greater available catchment area in almost every community theatre group.
But things might slowly change, I hope with forums such as this.
Some of the better designers I have worked with have been from the fairer gender, but they shy away from the actual techie bit. I suppose when more females enter the various trades generaly, the attitude of groups will follow as well. But I hate to hang by thumbs untill we reach that Port.
I remember when I was lecturing in the electrical trades & the first female fronted up at the college, with Electrical Fitters Indentures in hand. I expected the other blokes to treat her  like men did historicly, when females dared to become doctors or type writers eons ago. But blokes being blokes, the other lectures hung around her like bees to a honey pot. Which didn't help the young lass only get her fellow male apprentices backs up & would of became quite ugly, if not for the attitude of the lass & the experiance she aquired working at a male dominated Mining Company in the far north west of the state.
With the two sites above you will probably find that Jeff is more perdantic technicly, while Bill is easy to grasp by a student, but that is only my opinion.
At times I have enjoyed getting up Jeffs nose by refering to lighting designers as techies. Unfortunetly he tends to bust a poopah valve over the term being applied, usualy with the a rebuke of "We in the USA theatre do not refer  to ourselves as common techies & being just tradesmen" ['come in spinner']. He would take the bait every time. But give him his due, he is well versed in his trade & aparently strives long & hard to impart his skills to the lesser mortals - So g'donya Jeff your dinkydie in the wool true blue!
But don't let me put my slant on which is probably up the preverable creek anyway, glean what assists you trundling down the this cobbled toepath.
When I was a wee bloke {although I'm still height impared - so nothing changes}I always remember being advised, when checking out a lighting colour state. To bend over with your back to the stage & view it quickly with head between your legs. To achieve a true colour optical view of it. It only works for a few seconds & then switch back to the normal & get vthe true colours for another short period. These days for me I'd only end up A over turkey on the deck. If nothing else it might put your weight up with others watching your antics, after they stop laughing. Then build kudos when you explain what your up to & why you are doing it?
At the least if you don't baffle with  science, you always resort to bulldust?
I will have to find out were young Mel is going to in the States, she will be the third member of our mob recently to go there. I wonder what the atraction is? It can't be just money! Wink
Two of them were founder members that have settled in Albuqueque  New Mexico two years ago, but one of them was a yank anyway & returned home with his aussie wife.
  I have not read Mels script as yet, but it is a musical on the rocky Horror Show style I believe. I will find out at the auditions this weekend & let you know drose.
 



 

[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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drose
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bullet Posted: 11/03/07 at 4:05pm
Thank you.  I'll check them out asap.  I actually have a two week break after the 16th before I start another project, so I'll be able to spend some time on it then.  I do have to ask though:  are you serious about viewing he lights from between your legs? And if you are, what exactly is going on to make that position, however brief, a more accurate perception?  And does that mean then that the audience, after a few seconds loses their accurate perception when watching the production?  (Assuming, of course, that they ever had it in the first place...)
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JoeMc
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bullet Posted: 11/03/07 at 9:55pm
Putting the complex into the simplex, the eye has 3 colour light receptors Blue, Green & Red called cones, these are conected by 3 rods to the brain, that does the process of mixing the differing colour hues, to give you the actual perceived colour of the reflected light your viewing.
This is also the same virtual principle of how a PAL colour TV camera & transmition monitor works.
By putting your head between your legs you reset the brains processor & for a short period of time, percieve the true colours of the bounced light on a setting. Then the old brain slacks off & settles down again into it's mundane mode. Not suggesting if you turn your TV monitor at home upside down, you will improve the colour reception. There again you might by dislodging the collected dust  or completly bugga it up?
However not being an optical medical bod or eye  specialist, that's my take on how the system works. But being visualy impared  on my left side, you could say I'm rather one eyed on the subject.

[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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JoeMc
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bullet Posted: 11/04/07 at 7:21am
Sorry drose on 'Corpse cabret' I was up the creek, as usual, without a Paddle.
Reading it thru today at the auditions, it is more of a Panto, with out the "He's behind you!" line in it.
Also with our Pres Mel going to the America, she has accepted a place at  a Performing Arts  Uni somewhere there.
However another founding member my old Welsh mate Hywell is off to the Edinborough Festival & the London West end to do a number of seasons.
It all started when a Pro Theatre Company in Perth, contacted him to help them out to finish thier season. As the shows Production manager had spat the dummy & left them in the lurch mid season.
So Hywell, who has only ever done amatuer theatre locally, with a few odd paid giggs.
Stepped in to help them out & take over the role as the Production manager [SM, Lighting & Audio as well].
The season finished last night & the show is off to adelaide, Melbourne, Sydney & back to perth for a return season.
however for the last 3 performances here, a representitive of the '08 Edinborough Festival in Scotland. Had been in the audiance for the last 3 shows & has invited & booked the production Company to perform the show there.
Also to do seasons in the London West End & for  other UK theatre seasons.
So opportunety can knock at any time anywhere, even in a tin pot venue at the  backside of the community theatre world, if your in it.
Hywell pronounced Howell, is retired & is about 62, slightly older than me. So it is great news for him & he at least will get paid to do a fee trip 'back home again to Cym [Wales]' before he falls of the perch & pops his glogs.
The show is 'The Two Old Queens';-
 
http://www.pacs.org.au/shows-blueroom.section/pages/showPage1FC3490.html
 
http://www.theatre.asn.au/production/2007/two_old_queens_the_blue_room

G'donya Hywell & chookas Mate!Big%20smile







[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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JoeMc
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bullet Posted: 11/04/07 at 8:37pm
Here is a new toy from Rosco which is innovatetive, if you wish to give moving inteligent lighting effect ago, by utalising your normal Profile lighting lamp fixtures;-
http://www.rosco.com/promotions/icue/index.html
Instead of going down the costly road updating by buying the whole shabang from scratch. [I want half a dozen]Big%20smile
Also I picked up from Stage Directions Emagazine this;-
about Theatre hardware;-
http://www.bmisupply.com/spechdw.html

With the new Rosco controlable mirror lamp attachment.
I can just remember when Strand Lighting introduced thier new 5 position  colour wheel, that was operated from  the Bio Box. Which was  a big step at the time  fitted to the Strand Patt 23 Profile, not that I can remember the introduction of the Pt  23 at all.
which proves the piont that if it hadn't been for Rock 'nRoll, happening when it did, we might still be playing about with just gobo's  in lanterns.
[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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