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ictdramamama
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bullet Posted: 3/10/07 at 10:53am
Hey all!  Last night (3/10/07) was our opening night for DHSM!!! In almost 50 years of theatre, I don't think I've ever seen such a reaction from an audience, parents or not.  When my 60 kids came dancing through the house, the audience rose to their feet to dance and sing with them!  Fair warning: get a small audience for your last tech rehearsal and tell them to 'over' applaud.  Trying to explain to 60 kids about waiting for the peak of the laugh/applause doesn't get it.  It took them about 1/2 of first act to get the hang of it.
Want a little IRONY?  We had to postpone tonight's performance and put in two Sunday performances.  WHY?  Our upper school boys are playing tonite in the STATE BASKETBALL tournament.  WE were told we had to postpone so EVERYONE would go support the basketball team.  Who cares about my voices or the fact that most of those didn't buy tickets anyway and we still have sold out shows.  It DOES continue, doesn't it.  I just went to party city and bought more New Year's EVE clackers to give my kids so hopefully, they will clack instead of screaming their lungs out.  Ah well, life in the
the-ate-ah.  Hopefully, my pix will be back next week.  Can I post them here?  How?  If not, I'll put them on my personal web site and send you the link.
Da Mama Luvs Ya!
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JShieldsIowa
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bullet Posted: 3/13/07 at 2:22am

That's great to hear!  Congratulations!  And total crazy about having to reschedule due to the basketball scene.

I must say that I forget how amazing high school kids can be.  After my first blocking rehearsal with my leads they were off book for the first scenes after 2 hours.  Granted, the scenes are short - but I don't think the adult actors that I normally work with could have pulled that off!
 
Anyhow - congrats to you both!  I hope I have the same success!
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mattyjaco
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bullet Posted: 3/21/07 at 10:32pm
Originally posted by Gaafa

I use this with great effect for in front projection, using the Selecon Pacific range of lanterns, with Mylar gobo images printed from a computer. {the Pacific lamps are unique because they dissipate the light source heat via the rear of the lantern, allowing plastics to be used between the light bubble & the lens.

 
What do you mean pattern printed on mylar? where can i find more info on this?
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Thomas
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bullet Posted: 3/22/07 at 12:45pm
Hello there,
 
I am directing High School Musical at my High School next year.  (Student Directed with Teachers producing and doing music...e.t.c)
 
Any help would be great...
 
Has anyone modified it for there school?
How hard is the music?
Is the Show better than the Movie?
Have you gotten and ridicule for it being "not a real musical"?
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quesera
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bullet Posted: 3/22/07 at 3:03pm
WE SUCCESFULLY PRODUCED THE SHOW USING THE CD MUSIC.  THE SHOW IS A LOT OF FUN.  OUR CAST RANGED IN AGE FROM 3RD GRADE TO HIGH SCHOOL.  YOUR CAST WILL EASILY LEARN THEIR LINES--THEY ARE SIMPLE.  OUR MUSIC DIRECTOR WAS ANNOYED ABOUT THE CANNED MUSIC, BUT WE REALLY FOUND IT AN ADVANTAGE FOR ALL THE SOUND EFFECTS AND TO HELP OUR CAST DEVELOP THE TIMING NEEDED FOR EACH SCENE.  WE USED A SIMPLE SET PIECE--2 LARGE STEPS--4 FEET WIDE AND THE WIDTH OF THE STAGE.  ONE STEP WAS 2 FEET OFF THE GROUND AND THE OTHER WAS 4 FEET.  THE BACK WALL OF THE FOOR FOOT LEVEL WAS 8 FEET HIGH AND PAINTED TO LOOK LIKE THE HIGH SCHOOL HALL WITH LOCKERS--SHARPAY'S WORKED AND WORKING DOORS FOR ENTRANCES AND EXITS.  WE DID NOT SET UP JACK SCOTT IN ANY BOOTH RATHER WE POSITIONED HIM UP ON THE HIGHEST STEP SL AND HIT HIM WITH A SPOT--THE CAST WOULD ACT AS IF THEY WERE LISTENING TO PA ANNOUNCEMENTS.  WE NEVER SHUT THE CURTAIN AND SCENE CHANGES TOOK PLACE BELOW JACK.  OUR LEVELS ALLOWED US TO EASILY STAGE STATUS QUO AND WE'RE ALL IN THIS TOGETHER 2 INCLUDING THE LEAP BY RYAN--HE WAS CAUGHT BY CHEERLEADERS--A GREAT CROWD PLEASER.  COSTUMING WAS SIMPLE, KIDS ENJOYED THE DANCING--WE WERE VERY TRUE TO THE MOVIE--GET THE VIDEO WITH THE DANCE DIRECTIONS.  WE ALSO HAD 90+ KIDS IN TWO SEPARATE CASTS SO WE INVENTED WILDCAT DANCERS AND A 3RD GRADE CHORUS.  WE ALSO DID AUDITIONS LIKE  A CHORUS LINE WITH ALL OUR THESPIANS STANDING IN A LINE WITH THEIR PHOTOS--WE HAD A DANCE BREAK HERE ALSO BY LOOPING MUSIC.  HOPE SOME OF THIS HELPS.  I KNOW YOUR CAST WILL BE SELF MOTIVATED TO DO THIS SHOW.  BREAK A LEG.Smile
Happy Directing
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Mr. Lowell
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bullet Posted: 3/22/07 at 3:32pm
Thomas, I plan to post a technical write-up with pictures very soon...(sorry, I have been pre-occupied with "Dearly Departed" which opened last night).
 
But until I can go into further detail, let me just say that this is a good show for ANY theatre troup of any size, age and budget to do.   We used 80 middle school kids in a fully equiped proscenium theatre, and I built the set for about seven hundred dollars.  If one of your company's immeadiate goals is ticket revenues, then DHSM a "sure thing".   We sold out all four nights, (but so what, our goal is theatre education, not putting butts in the seats).
 
To answer your questions:
1)  Modified for school?   Yes, we modified it in a few very minor, but successful, ways:
One, as I mentioned in an earlier post, was to put the new morning announcements character on a TV monitor instead of doing a set change for him every time.   Jack's announcements not only forward the plot, but they act as bridges to cover the big set changes.   My set crew was able to complete every set change within the time it took Jack to do his TV bits.  So I was able to greatly increase the pace and excitement of the show by putting him backstage on closed-circuit TV.  
 
The other minor adjustment was to "over cast" the show.  We had such a tremendous turn out at auditions that our director decided to cast 58 actors plus 22 ushers.  These girls passed out programs and sold concessions in their cheerleading outfits, then for the opening and closing numbers they padded the chorus numbers by singing from the aisles and proscenium steps.  These bonus voices really added punch to the finale' that always brought big ovations.
 
2)  Was the music hard?  Yes, (from the impression I got from our music director), this show was much harder for younger voices that the usual R&H musicals.  Many of the songs are Idol-esque pop tunes that require more range and experience than your classic Broadway show tunes.  
 
In my opinion, the toughest song for teenage actors to pull off is "Get'cha Head in the Game" in Act I, Scene 4.  This is sung by boys.  Many young boys have less vocal experience than girls, (plus their voices are still changing).   But what made it tough is that this song is chopped up by two brief flashback sequences with Troy.   As Troy returns from flashbacks I thought the basketball team seemed to struggle to get their heads back in the song.   (Besides, Troy was wearing a body mic, while the chorus was merely picked up on a floor mic).
 
One other issue that makes the music hard, is that your teenage talent pool walks into your theatre with the Disney Channel movie soundtrack already memorized!  The CD was a top seller with teenagers.  But this stage version has a slightly different score.  So, at your first day of rehearsals, I recommend you put a moratorium on the use of the movie DVD or the soundtrack CD.   Tell the cast they ARE NOT re-staging the darn movie!  They should look to the script and do their own interpretation.
 
3)  Is the play better than the movie.  Yes, (in my opinion), the stage musical is better than the movie.  I felt like the movie was glossy fluff, like an episode of The Brady Bunch or Saved by the Bell.   The movie kids had a glazed and artificial attitude that reminded me of the old Annette and Frankie beach movies.
 
What makes a stage production of this material more endearing to your audience is that THESE ARE YOUR KIDS, not stock Disney automatons.  The fact that your audience already knows and loves your cast members makes the show that much more exciting and appealing.   So with that in mind, every local production nationwide is assured to be a hit.
 
The stage version kicks butt at the end with what I call "the longest curtain call in theatre history".   The script calls it the "megamix".  Small portions of the cast comes out to take a bow between reprises of EVERY song in the show.   This takes almost ten minutes!   But hey, it pumps the audience into a frenzy.
 
However, one thing that the movie CAN do that we cannot is:  make"cuts" between one scene and another.  On film they can cut between The Gym/The Theatre/The Lab in a split second.   But in a theatrical production, we must find ways to stage these three locations simaltaneously.  
 
I used minimalist set pieces as visual cues to tell the audience what was what.   And I had really tight area lighting to carve up the stage into three distinct locations.  (Once again, I will post some photos any day now...)
 
4)  Have you gotten and ridicule for it being "not a real musical"? 
No, there were NO such comments from the cast or the patrons.  Everybody loved it.   
 
But yes, you get this sentiment from ME!!!  Call me old-school, but 'dis ain't theatre!   In my opinion, Disney's High School Musical is not so much theatre as it is some sort of epic-pageant-spectacle-event-thingy!   It's like those peppy stage reviews you see every summer at Bush Gardens or Six Flags.   But is it theatre?   Well sort of, in a "Up With People" gone Raven-Symoné kind of way.
  
But hey, I'm a Technical Director.  I did the entire set for $700 worth of red & white paint and confetti cannons.   Personally, when I do musical theatre, I prefer to build massive castles like in Beauty & the Beast, or grand staircases like in Hello Dolly, or design artsy-fartsy lighting like in Westside Story.  So this was a "no brainer" or maybe a "just another day at the office" kind of show for me. 
 
The real question you might ask is, "Did the kids learn much acting technique and stagecraft during this production?"  (Well, it ain't "The Miracle Worker" or "Hamlet"!)   But let's be fair.  In the final analysis, if all my young new Thespians at least have A FUN TIME in the wonderful world of performing arts, and they at least learn SL from SR, and what "Heads up!" means, and that it's tacky to peek out a crack in the main drape...then hey, IT'S THEATRE!!!   Wheeee!
 
Seriously, I will close with these basic points:
-The word of mouth is so powerful that you could sell out every show even if the total extent of your advertising campaign was ONE FLYER.  
 
-It's a fun and upbeat show that is full of energy.  People leave your lobby with broad smiles at the end of the evening.  I had the tunes stuck in my head for two weeks afterwords!
 
-It is all-inclusive.  There is a part for everybody, regardless of talent level. 
 
-It has that ever-important draw for MALE talent.  You will have no trouble getting jocks out of the gym to audition for this one!  (The script is ironic in that respect).
 
-The music could be canned, or as in our case, performed by a small pit combo of six instruments.
 
-The rehearsal period is easy because you can ask just the leads to come on most nights, and have the chorus come once or twice a week do run the big dance numbers.
 
-Don't worry about the set.  Because when it all comes down to it, audiences just want to see the kids SING AND DANCE!  (The locations are still etched in their minds from recently seeing the movie).
 
-And regardless of how perky and "pop" this show appears to be at first, surprisingly, there are actually a couple of really nice "theatre moments" that are very poignant.   Such as Troy & Gabi's sweet duets "I Can't Take My Eyes Off of You" and "When There Was Me and You", and the reconciliation scenes with the coach and the drama teacher.
 
Go for it Thomas!  What the heck, you can always do something meatier like "Les Mis" NEXT season!   Break a leg,  Dana
 
Mr. Lowell,
Lighting/Set Designer & Tech Director,
for the Linda Sloan Theatre,
in the Davison Center for the Arts,
at Greensboro Day School
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Thomas
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bullet Posted: 3/22/07 at 8:31pm
Good to hear. 
 
Any pictures?
 
 
 
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eveharrington
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bullet Posted: 3/23/07 at 1:40am
I'm glad to hear that your show is going well but I do have to say I am already sick of this show. No less than five different productions are going up within a hundred miles of me in the next year.
"If nothing else, there's applause... like waves of love pouring over the footlights."
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Mr. Lowell
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bullet Posted: 3/23/07 at 8:46am
Yes, many schools and community theaters are doing it in this area as well.  In fact, I have already promised all my show-specific scenery to the childrens' community theater in town.   They're doing it next season with young teens. 
 
I also saw the production done at the local Catholic high school.  They 
staged it in their gymnasium for what looked like two thousand people!  One cool thing about their production was that for "Get'cha Head in the Game", they cut off all the lights and did a routine with two dozen green "glow in the dark" basketballs!!!  And at the end of the finale' they did a massive balloon drop that rivals the Democratic National Convention!  I guess there is no limit to the spectacle possible with this juggernaut.
 
But you are right, I think everyone and his brother will be doing this show next season.  It was a smart business move for Disney to quickly release rights for this as a stage production!   No doubt EVERY theatre company will have to give in to popular demand and do the obligatory production High School Musical before the wave crests.
 
Personally, I'm waiting for release of Broadway shows like "Wicked" and "Spamalot".  Thumbs%20Up
 
Break a leg.  -Dana
 
Mr. Lowell,
Lighting/Set Designer & Tech Director,
for the Linda Sloan Theatre,
in the Davison Center for the Arts,
at Greensboro Day School
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Thomas
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bullet Posted: 3/23/07 at 12:14pm
Is the Music different than the Movie?
 
Better?
 
Thomas
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