Hey,

  There's no Vodka coolers there. And my leading man only drinks Corona.  None of that there either.

Sondra

POB,

    Awsome!  You are a witty and mischievious one, aren't you? Just like my leading man and the character  he plays.

    A footnote-  in the scene in my play in which the lead actor has been on a bender- he's drinking Corona on stage.  Actually apple juice.  He made a comment at our 'drinking place' last night that the real stuff is much better than the apple juice he's driniking on stage.  Cool thing is that the apple juice looks just like Corona on stage.

 Two more shows to go.

And the CD of the original song is starting to sell. My next step is to figure out how to get the local radio stations to play the CD. Going to be checking into that.

Hey POB,

      How do you get the photos on your post reply the way you did.  I got some pics I want to share with you guys?

Wow!  Congratulations again!

When you post your message, up at the top is a button to "Add Image" - I think it's supposed to be a picture of a tree; it's the third button from the last in the bottom row.  Hit that, and paste in the URL of the picture you're linking to.  (If it's your own pics, you'll need to put them on Photobucket or Webshots or something first, so it's already on the Net.)  We'd love to see the pictures!

Just doin' a bit 'o braggin'

Here's some thoughts I received on the premiere of my play last month.

Sondra

PS- If anybody should be interested in reading the play, let me know.

Memory Shadows' Review

Sondra sees the goodness in people, that may be blocked by pain, or fear or anger.  Her subject matter is The Family and common things.
    She tackles large scenes with several people (not easy), builds the dramatic structures carefully, but with apparent ease, no
awkwardness.
    There is a real-ness to her dialogue. Sondra's characters speak
only when they have to, and what they say is unforced. While Sondra achieves a strong sense of the ominous that seems to come from
within the family, there is no doubt that she holds great love for all
her characters.
    As director, Sondra works with her cast to arrive at remarkable
performances from all, young, inexperienced children to very
experienced adults.

Brava!
David Fox

David's film & stage credits (just some of them- list is too long to include them all)

Theatre Passe Muraille: The Farm Show, 1837:The Farmer's Revolt, As Far as the Eye Can See, Studhorse Man, Les Maudits Anglais, Them Donnellys.

Blyth Festival: Quiet in the Land , Garrison's Garage

More recent theatre credits include the part of Angus in The Drawer Boy by Michael Healey , in the Theatre Passe Muraille production (1999), and in the national tour (2001/02); and of Ezra Pound in the 2001 Stratford Festival production of The Trials of Ezra Pound by Timothy Findley .

He is the recipient of a Sterling Award for his role in Paul Quarrington's The Invention of Poetry,

and of the Dora Mavor Moore Award for his role in the
1999 production of The Drawer Boy at Theatre Passe Muraille.

Film & TV-

"GreyOwl"

"The Saddest Music In The World"

"Road To Avonlea" TV series- recurring role