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Message Icon Topic: Graciously saying, "No Thanks" ?(Topic Closed Topic Closed) Post Reply Post New Topic
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red diva
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bullet Posted: 10/02/06 at 4:31pm
Sorry, Mike.  Four years of high school Latin and 30+ years of singing Italian operatic pieces and it just becomes a kneejerk reaction.  I'm actually one of the few people left on this planet that thinks Latin is a valuable language!
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red diva
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bullet Posted: 10/02/06 at 4:34pm
Marty.....well, we've only ever done two Sondheims, and I directed one of them (you know which one), so I guess I was referring to the other one.  In which I played Cinderella's stepmother.  And survived.Ouch
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bullet Posted: 10/13/06 at 3:35pm
If I am asked on the audition sheet what roles I prefer, I list them.  If I am asked on the audition sheet if I would take another role and I say "No", I think I should be taken at my word.  I don't see doing that is being a Prima Donna or a Primo Donald or whatever.  I've been asked and I have answered.  When I direct, I expect the same from the people auditoning for my show.
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bullet Posted: 7/13/07 at 1:07am
Excuse me while I resurrect this thread!

First of all... does it make me a pathetic geek that when Diva said "A Sondheim show" and she put down that she would accept "one of three roles" I knew which show she was referring to.  I believe that it does make me pathetic, although a good kind of pathetic.

I wanted to say however, to the directors in the group, what do you think about a Director who flat out ignores an actor who is being upfront about the roles that they will accept.   I recently auditioned for a production of West Side Story.  Now I'm pushing the age range where I could still conceivably play Maria, but I have the voice for it, and I'm fairly short (which more often than not lends to making me seem younger on stage)  The theater however is quite a distance from my house.  Going into the audition there was no place on the audition form for 'roles you will accept' so I spoke with the producer and director and let them know that due to the distance I would have to travel the only role that I would guarantee taking would be Maria but that I would also consider Anita.  I was cast in a walk-on role and told that they had gone with high school students for all of the principals.

As a director, would you even bother casting an actress in my position in the walk-on, or would you just say "Thank you for your time, but we've decided to go with High School aged talent for this production"

I'm glad I stumbled onto this page.  I'm sure I'll be spending a fair amount of time here from now on! :)
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bullet Posted: 7/13/07 at 8:58am
I would not cast an actor in any role where they had been very specific about what they would consider.   It only makes sense and saves time and embarrassment on both ends of the equation.
BD

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pdavis69
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bullet Posted: 7/13/07 at 9:16am
I recently turned down a part in The Curious Savage at our local playhouse.  The director had made up his own audition sheets, coosing not to use the regular sheets used by our group.  In his new sheet he did not include a "will you take a part other than....." section but he did put down if you are interested in any part write "any".  I did not write "any" and only the parts I was interested in (I wanted to be one of the residents of the nuthouse).  When the show was cast, the director called and offered me another part and seemed quite taken aback when I declined.  I feel I did the right thing for myself and my ethics.  It turns out maybe it was a good thing to turn down the role.  The next two people cast in the role both quit the show and the director is playing the part himself.
 
By the way Keith, I saw the pictures of your Guys and Dolls show.  It looked like you had a lot of fun.  I played that role myself a few years back and like you did not go with the traditional big checkered suit.  Mine was a bright yellow zoot suit.  Congrats on the role.
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bullet Posted: 7/13/07 at 11:59am
I'll chime in here too. I recently directed Wizard of Oz with all high school aged kids. I had 15 girls all show up wanting to be Dorothy, but they all also marked "any" on their audition forms. So I cast them in smaller roles (after chosing my Dorothy) I made the casting phone calls and they all accepted. Then, 11 of the 15 didn't show up for the first rehearsal.
Now, I have no problem if a person declines a role, but don't accept the role and then not show up to rehearsal. It is just plain rude and unprofessional. I know these were High School Kids, but don't you think they should have known better?
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biggertigger
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bullet Posted: 7/13/07 at 1:10pm
I know that I have everyone casting what roles they are interested in.  Many to tell me that they will only take ______ .   If I can't cast them in the role they were hoping for but I feel I could use them in another role, I will contact them and have a talk with them.  It usually goes like.....
"I am sorry I couldn't cast you as Maria in West Side Story and I am aware this was the only role that you were interested in, however, I would like to talk to you about accepting the role of Anita.  I feel you would be better suited for this role because......"
Do I always get the person to accept this role, no, but I get to explain to them that their talent is important here and is not wasted if they don't get the role they wanted.
But as a director, I realize how important time is, both ways.  I wont waste your time, don't waste mine.  I schedule for what I really need which is usually full cast for the first hour or so and then work with principals.  I may even to full cast blocking and then have them go to musical rehearsal while I work with principals.  This way no one is just sitting around waiting to get up on stage for a few minutes. 
The two greatest days in a theater persons life, the day you start a new show and the day the damn thing closes.
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bullet Posted: 7/14/07 at 6:05pm
   simple...Actor need to totally honest about what roles they will or will not take.  I will think nothing less of you if you  tell me its the lead or nothing. 
   What happens when you are called and turn down a role?  This can often upset the entire casting process.  It can be sort of a domino effect.  You turn down part A...that means that who I cast in part B now must be moved into part A etc, etc, etc.  Just be honest and any director worth a grain of salt will repect you.
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MartyW
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bullet Posted: 7/15/07 at 8:49am

Welcome Jim.... Wont be long and the whole gang will be here...

Marty W

"Till next we trod the boards.."
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