Absence of a Cello, The by Ira Wallach

Adding Machine, The by Elmer Rice

After the Fall by Arthur Miller - Drama

Agnes of God by John Pielmayer - Drama

Ah, Wilderness! by Eugene O'Neill

All in the Timing: Six One-Act Comedies by David Ives

All My Sons by Arthur Miller - Drama

All the Way Home by Tad Mosel

Pulitzer Prize winner, 1961

Amadeus by Peter Shaffer - Drama

American Buffalo by

An Inspector Calls by J.B. Priestley - Drama

Angel Street by Patrick Hamilton - Mystery/Thriller

Classic thriller, and the basis for the movie Gaslight. Period piece with accents (Victorian England) is fun to do, and well-received by audiences. Tale concerns a straight-laced husband and his frail wife -- is she crazy, or is her huband trying to drive her mad and have her put away? Publicity should mention the movie -- that name recognition thing, you know.
Mike played Manningham in this show. Ask him about it!
Chris played the maid in this show. Ask her about it!

Anna Christie by Eugene O'Neill

Pulitzer Prize winner, 1922

Arms and the Man by

Arsenic and Old Lace by Joseph Kesselring - Comedy

Any community theater of any size has done this one -- often more than once! Name recognition is a big factor here; the characters are fun to play, it's a period piece that's not too difficult to do well (30's-40's), and audiences seem to love it no matter how many times it's been done.

Art by Yasmina Reza - Comedy-Drama

Tony Award: Best Play, 1998. Award-winning play about three friends and a piece of art that consists of nothing but a white canvas was deemed by our playreading committee to be rather offputting to our audience in Dover, DE, but would play well someplace more cosmopolitan, or by a group with three talented male actors and a desire (and an audience) for more intellectual fare.

As Bees in Honey Drown by