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Slap-Stick

Printed From: Community Theater Green Room
Category: Producing Theater
Forum Name: Props, Scenery, Costumes and Makeup
Forum Discription: For how-to's and where-can-I-find
URL: http://www.communitytheater.org/forum/forum_posts.asp?TID=4437
Printed Date: 5/14/25 at 7:20am
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Topic: Slap-Stick
Posted By: GElliott
Subject: Slap-Stick
Date Posted: 1/26/10 at 8:04pm
Has anyone ever built an actual hand held "slap-stick"?  We need to use one in an upcoming production.  I know the basic concept, two pieces of wood, either hinged or bound on one end and they slap together when the actor is hit.

I was hoping someone had worked out what method works best before I simply start experimenting.  I've searched around online, but can't seem to find anything useful.  Thanks very much for any help I can get.

Gene



Replies:
Posted By: Spectrum
Date Posted: 1/28/10 at 2:32am

Sure, I've made the traditional slap stick numerous times.  It's a good way to simulate the crack of a gunshot safely (with practiced timing, of course).  There are a few things to take into consideration when building a slap stick.  First, use milled wood (clear pine, birch, poplar, or maple works well) that is very flat, smooth, and around 3/4 inch thick.  I've found that the flatter and smoother the surfaces are, the 'cleaner' and more reliably the "bang" will sound.  You might want to round off the OUTSIDE edges of the slats to minimize the threat of splinters.  Leave the inside edges squared off for a sharper sound, though.  I've also experimented with other materials and always come back to clear (knot free) wood because of the strength and tonal properties wood has.  Another thing of importance is to use a solid, but free moving and SILENT hinge on the end.  One that will keep the two slats in perfect alignment with very little side movement.  The 'tone' of your bang is influenced by the material used and by the width and length of the slats (bigger surface=lower tone), so play around with strips to find the right sound you're looking for.  And finally, fashion some kind of handles on the slats to allow the operator to smack them together comfortably and without stinging his/her hands.  Locate them at approximately one third of the length of your slats, located closer to the hinge.  That will give you the mechanical advantage of getting a good, fast slap of the two surfaces.  Too far from the hinge and it won't be able to really 'SNAP.'  Good luck.  This is really a very simple project and won't take much time to do, so if it doesn't sound quite like you want it to, it won't take much time to try another configuration.  Good luck!



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Growing old is mandatory. Growing up is optional.


Posted By: GElliott
Date Posted: 1/28/10 at 10:37am
That's great information, thanks.  I'm assuming that the handles you are referring to are so you can slap it together off stage?  Our slap stick is going to be used on stage by actors.  So, I'm thinking it might need some sort of spring device to keep it open at a desired distance before it is smacked closed.  Any thoughts on that?

Thanks again.
Gene


Posted By: Spectrum
Date Posted: 1/29/10 at 12:35am
Yes, the handles are to easily and efficiently smack the slats together without hurting your hands.  A spring in the works is a BAD idea.  Practice will make it work better than anything else.  Good luck!
 
ADDENDUM TO PREVIOUS COMMENTS:  I finally got around to looking on the Internet for what OTHERS call a slapstick.  I see a variation that is basically two small, thin slats with a handle and a spring loaded hinge (mouse trap spring?) on one end.  You'd expect to see this in the orchestra during a Christmas concert.  To operate this, the person simply pulls the top slat up and lets it go on the cue.  This will result in a sound of the 'crack' of a whip.  The system I described previously is a little larger and results in a much louder 'BANG,' more like a gunshot would sound.  Like I said before, the material used and the surface area affect what the final sound will be.


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Growing old is mandatory. Growing up is optional.



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