Active TopicsActive Topics  Display List of Forum MembersMemberlist  CalendarCalendar  Search The ForumSearch  HelpHelp
  RegisterRegister  LoginLogin
Closed Topics (Forum Locked Forum Locked)
 Community Theater Green Room Discussion Board :Archives :Closed Topics
Message Icon Topic: job- Descriptions(Topic Closed Topic Closed) Post Reply Post New Topic
Author Message
Guests
Guest
Guest

bullet Topic: job- Descriptions
    Posted: 11/13/03 at 10:28am
What is each memeber of a CT typically in charge of. i know it changes for each theatre, but was is it with you. I just started my own CT and I'm having a difficult time knowing what everyone (including myself) should be doing.
IP IP Logged
Guests
Guest
Guest

bullet Posted: 11/21/03 at 12:34am
our ct has had some of the same problems. We (the Board of Directors) who were also the people who do the work for plays, decided on a hierarchy. The board selects the play and finds a producer. The producer finds people for all the crews. The director auditions,selects actors, directs, and works with other crews. The producer has the final say ( & responsebility) for everything other than what the actors do. We all work with the diector to make, get or create what is neeed on stage. it works out fairly well. Good luck!
IP IP Logged
Pat Tracy
Guest
Guest

bullet Posted: 2/24/04 at 12:32am
Much of what we do is the same as above.  However, we decided  "The Producer" was a mis-nomer. That the funding organization is the "Producer" and instead decided to assign board members a show  and be called the "Production manager". He/she manages the show in all business aspects, i.e. budget, recruiting crew, over-seeing the schedule and assisting and cooperating with the director and handling his or her problems as they arise.  A different experienced Board Member is assigned the task and does a show a season.  That person is accountable to the board for managing the budget and any problems that arise it works very well.   I hopes this helps
IP IP Logged
Moondance
Guest
Guest

bullet Posted: 2/25/04 at 9:35am

We have an Artistic Director and a Business Manager who report to the Board of Directors.  The Artistic Director chooses the season and sets the dates, hires the directors (they work together to bring on the technical staff, but the director auditions and casts the shows) hires and oversees the staff (publicity, graphic design, box office, volunteer coordinator, director of education, master carpenter).  The business manager handles the financials. The board then works on bigger financial aspects, like memberships, sponsorships, producers, grants, etc.  We hire and evaluate the Artistic Director and Business Manager annually.

Works for us!

IP IP Logged
Russell E Williams
Guest
Guest

bullet Posted: 4/13/04 at 8:25am

Our amateur theatre company is preparing a small handbook (of about two-dozen pages) to be introduced in our educational program.  That program is to give the opportunity to younger members of the community to learn a bit about what goes on backstage and how the show got to be what they saw.  A major part of that booklet deals with 'The role of...' and lists such positions as: Producer; Director; Production Manager; Stage Manager . . . through to . . . Publicity; Ticket secretary; and Front-of-House.  As an example, this is what we've put together for the:

Director

The responsibilities of the Director are to:

1. Define the basic look and feel of the show.

2. Hold pre-production meeting with committee, production co-ordinator, musical director, choreographer and set designer.

3. Liaise with producer regarding scripts, librettos, musical scores, etc...

4. Organize auditions and audition materials.

5. Conduct auditions.

6. Schedule and co-ordinate all rehearsals.

7. Hold all non-singing and non-dancing rehearsals.

8. Hold all combined rehearsals. Mediate in crisis.

9. Liaise with production co-ordinator, set designer, set construction manager, lighting, sound, costumes and props, etc... where necessary.

10. Develop and encourage acting performance.

11. Fit all the pieces of the show together.

12. Run technical and performance rehearsals in the theatre.

13. Provide encouragement and feed back to cast during the run of the show.

If this is the sort of thing you are looking for to describe the roles of the many backstage personnel, then perhaps I could E-Mail you a copy separately.  I'm not sure how that could be arranged through this site, though.

Cheers,

Russell

IP IP Logged
UACTheatre
Walk-On
Walk-On
Avatar

Joined: 5/25/04
Location: United States
Online Status: Offline
Posts: 1
bullet Posted: 6/06/04 at 10:25pm

Russell,

 

I'd be interested in seeing this handbook to get ideas from. UACTheatre@aol.com  Thanks in advance!

Up & Coming Theatre
IP IP Logged
Gaafa
Celebrity
Celebrity
Avatar

Joined: 3/21/04
Location: Australia
Online Status: Offline
Posts: 1181
bullet Posted: 6/07/04 at 8:22pm

Get a copy of Rod O West?s book 'Playmaker' - this will assist you greatly!

http://www.amdram.co.uk/rodoscarwest/review.htm


Also you can contact him directly & he is also prepared to answer your emails.

rodowezt@aol.com

IP IP Logged
Post Reply Post New Topic
Printable version Printable version

Forum Jump
You cannot post new topics in this forum
You cannot reply to topics in this forum
You cannot delete your posts in this forum
You cannot edit your posts in this forum
You cannot create polls in this forum
You cannot vote in polls in this forum

Bulletin Board Software by Web Wiz Forums version 8.05
Copyright ©2001-2006 Web Wiz Guide
buy generic cialis are in line cialis canada outcome for yourself viagra sales cost saving benefit viagra uk convert your buy phentermine online pay phentermine cod payment Lenders Everything xanax online your existing xanax overnight absolute must free incest stories online The value gay incest advance The key free dog sex pics cash flow dog sex the reduced noise free gay college guys of the period gay guys