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Spectrum
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bullet Posted: 4/28/10 at 2:20am
I know some people see musical performers as 'sacred cows' but I'll NEVER understand why some musicians don't see it as the actors and crew people see it.  They volunteer their time and talents as a way to practice their craft and express their creativity, all for the good of the public and the theatre.  I know when I post the musicians names on the web site I maintain for MY favorite community theatre, I place them on the same page as the actors, because they are all PERFORMERS.  Why should THEY get paid when no one else does?  People are going to kill off everything good about 'community' if they make greed, ego, or personal gain the priority.
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Phlufster
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bullet Posted: 5/01/10 at 12:05am
We pay $50 per musician. This includes rehearsals and 4-5 performances. We are a community theater in a town of about 4,000.
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bullet Posted: 6/17/10 at 5:16pm
I'm not sure what "the norm" is or should be, but within the last 12 months, I played for three shows (and two weeks of rehearsals) for a high school production of "Wizard of Oz" and was paid a total of $400.

I was told on a piano forum that this was VERY low pay for accompanying a high school musical; that typically pay at closer to a thousand dollars.

I also played for a community theatre production of "Godspell." The show was actually picked up by another theatre, so I was paid in two installments. It totaled nine performances and at least as many rehearsals. I was paid a total of $900 for all of it.

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Helena
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bullet Posted: 7/20/10 at 10:34am
Originally posted by Spectrum

I know some people see musical performers as 'sacred cows' but I'll NEVER understand why some musicians don't see it as the actors and crew people see it.  They volunteer their time and talents as a way to practice their craft and express their creativity, all for the good of the public and the theatre.  I know when I post the musicians names on the web site I maintain for MY favorite community theatre, I place them on the same page as the actors, because they are all PERFORMERS.  Why should THEY get paid when no one else does?  People are going to kill off everything good about 'community' if they make greed, ego, or personal gain the priority.
 
I agree with this statement.  I have had leads in many of our musicals.  I have also been vocal director a few times, I've directed once, I've played in the pit, and I've conducted the pit. 
NO ONE in our organization is ever paid - not the directors, the actors, or musicians - everyone volunteers their time.  Paying a pianist $1000 for the run would amount to 1/6th of the budget for our musical.  Paying the musicians $20 a performance for 10 performances with an average of 9 musicians in the pit would add another $1800 - causing the pit to cost fully 1/2 of what our normal musical budget is...... and that would be impossible for us..... not to mention offensive for the director  (who easily puts the most time and effort into the production) and the actors - who get only the audiences appreaciation for their efforts.
While finding the musicians is never difficult for us - it is getting harder to line up pianists.  But the issue isn't the money - it is the time commitment.
"..that's farce, that's theater, that's life"
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redhead
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bullet Posted: 7/20/10 at 2:40pm
Well, just to play devil's advocate ... I've never acted in CT, but I've played piano in one show, and also played for a couple musicals.

When I contacted for the CT show, a stranger had found me by doing a google search and finding my professional website -- a website I pay money for to advertise my services.

I would think it would have been very strange and awkward had she called me and said, "I found you through your website, and we would like to hire you, but we're not actually going to pay you for your work."

I can't even imagine myself contacting a professional via their website -- an electrician, a plumber, a consultant, whatever -- and saying, "Hi, I have a job I'd like you to do, but I'm not going to pay you."

And then to get offended or indignant because they expect to be paid if they take the job?!??

So, that's how it seems from my point of view.

I will say that I get paid MUCH MUCH less through CT than I normally charge.

Oh, I think in another thread somebody said that the musicians shouldn't get paid because they just show up the last week. Don't forget that they have probably been spending several weeks learning the music, even though you haven't actually seen them doing it.

Anyway, I'm not trying to start an argument or anything. I am, however, a bit amused when people post that they can't believe the musicians would have the gall to expect to be paid! Um, why wouldn't I be expect to be paid for a job I performed??

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David McCall
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bullet Posted: 7/20/10 at 3:03pm
In many community theaters the actors actually pay for the privilege of being in the show, they also sell tickets and come up with sponsors to put in the program. In addition they have to rehearse and deal with pretty questionable directors on occasion, for months. They also have to learn all of their lines rather than just reading it off of the page with a 40 watt blackout killer to boot.

So, your point has been taken, but I just don't understand why you would think it to be so out of the realm of reality that a musician could come in and do his/her part for a CT show as an unpaid volunteer.
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redhead
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bullet Posted: 7/20/10 at 4:08pm
Originally posted by David McCall


So, your point has been taken, but I just don't understand why you would think it to be so out of the realm of reality that a musician could come in and do his/her part for a CT show as an unpaid volunteer.



Oh, I don't think it's outside the realm of reality. Apparently many musicians do it. Perhaps most do? I don't have enough experience to know. If that's how a person wants to donate their time and services, they certainly have a right to.

But I do think it's slightly amusing/slightly aggravating when people think the idea of paying a musician is outrageous. Don't you normally pay trained professionals who provide services for you? I can't imagine someone saying, astounded, "That plumber who fixed my toilets wants to be paid!" as if that was some nerve of him.

I have never been asked to play for a musical for free. If I were asked, I would consider it, but probably decline. (When I was younger, I probably would have done it.) A show just takes too many hours away from my family -- and disrupts their lives too much -- for me to justify doing it for no compensation.

Also, I would be somewhat concerned that doing a project that huge on a  volunteer basis would give me an air of looking/seeming less professional. This is my field, and not something I do just because I'm bored or need to get out of the house or something. It's hard enough for people in general to realize that, so I would at least consider that aspect when making a decision of whether or not to do a show for free.

Your comment about actors sometimes paying to be in the show is an interesting one, and I think gives the reason why (sometimes, at least) musicians are paid, but actors are not.

When I was contacted for one show, in particular, the MD said that she had been on the phone with at least ten other pianists already, and NO ONE was available for the week of the show! I was hired for that show, and another, on the basis of the fact that I was able and willing. They had never met me and had never heard me play. A definite contrast between actors auditioning -- and perhaps even paying -- to hope for the privilege to be in the show. Just a supply and demand thing.

Thanks for letting me elaborate on that more.

Redhead


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tristanrobin
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bullet Posted: 7/21/10 at 7:27am
It's usually a matter of supply and demand.

There are, most often, any number of people ready to jump up on the stage and perform.

The numbers of capable people to play in the orchestras/pit bands are considerably smaller.

Though most people are more-than-willing to have a less-than-stellar person in the leading role in a play, they do NOT want to hear a less-than-stellar performance from a musical instrument. I understand that. Bad music hurts!

When you want the best, that means professional. And, professional means paying.
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FFootlighters
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bullet Posted: 7/21/10 at 1:27pm

The CT I work with currently pays $25/rehearsal and $35/ show. Typical contract covers two orchestra-only rehearsals with the MD, four dress rehearsal with the cast, and 6 performances over two weekends. So, approximately $360 per musician. May seem a lot, but we only produce one musical a year.


I was with another CT that paid $35/rehearsal and $50/performance for two or three weekends of performances.
 
I've directed 10 musicals over the past 15 years and only one had an all-volunteer orchestra...the worst mistake I ever made. Most were rusty on their instruments, to put it kindly, or high school students so that the cast was upstaged by all the missed notes, honking and squeeking. Further, two of the better musicians just up and left the second weekend because...they got paying gigs!
 
I have a MFA in directing, so I grit my teeth when musicians expect to be paid stating their years of study, etc. Truly, I understand the feelings posted here that we should all be doing this for the love of community theatre. But, the reality is that good musicians expect to be paid.

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tristanrobin
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bullet Posted: 7/22/10 at 10:52am
Originally posted by FFootlighters

I have a MFA in directing, so I grit my teeth when musicians expect to be paid stating their years of study, etc. Truly, I understand the feelings posted here that we should all be doing this for the love of community theatre. But, the reality is that good musicians expect to be paid.


I have the same degree - and I expect to be paid, too.

Nobody is going to get rich working for community theatres. But, when you are a skilled, experienced, professional in demand, there is no reason you should not be respected with an honorarium of some sort.
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