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Ray Faiola
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bullet Posted: 5/20/10 at 2:26pm
Well, depending on the intensity of the play and the character; and the level of immersion you are employing, I think it would be a good idea to experience the sensations of smoking - especially since the character is a chain smoker.  If it were an incidental habit, it would not be important.  But chain smoking is a psychological as well as physical habit and I don't think you can create a full-blooded characterization without it.  Whether or not you wind up subjecting the audience to cigarette smoke, I believe deference to the author's character delineation pretty much requires you to, at the very least, be familiar with the smoking experience.
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MartyW
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bullet Posted: 5/21/10 at 8:59am
Well, partial good news, partial bad here in Ohio.... In Ohio, there is NO smoking allowed in a public place, and theater stages are NOT exempted. So, the non smoking actor has no choice but to "act it" or use a substitute device.  And the audience knows about the prohibition, so they seem to immmediatly allow for it...
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Ray Faiola
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bullet Posted: 5/21/10 at 9:16am
"It seems that fate has taken a hand....!"
Ray Faiola
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bullet Posted: 7/17/10 at 10:52pm
Originally posted by tristanrobin

I'm working on a play now that requires a lot of pot smoking (Soccer Moms frm Hell)...we're just using the props without lighting them. Actually, no choice, as here if you use ANY open flame on stage (which a match or lighter would be) we're required to hire a fireman to sit offstage the entire production. It would be absurdly expensive.
 
We would be dying here if we had to do that.  Just opened "Fiddler on the Roof" where we have 45 actors holding lit candles for "Sabbath Prayer".
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