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avcastner
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bullet Topic: Warm-Ups
    Posted: 10/07/07 at 1:34pm

I'm really tired of my warm-up games.  Anyone have some unique ones they'd like to share?

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eveharrington
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bullet Posted: 10/07/07 at 2:18pm
Do you do the one where you shake your hands and feet and countdown? Like the hokey pokey but without the song. Thats a great ender for warm-ups
"If nothing else, there's applause... like waves of love pouring over the footlights."
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jayzehr
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bullet Posted: 10/07/07 at 3:34pm
Why don't you tell us what you do now and we can add others if we have them?
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JoeMc
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bullet Posted: 11/03/07 at 11:15pm
There is one that most of the muso's would know?
I realise this thread is a wee bit old - But it does take a while to manualy do my automatic rewind. My rubber bands went bung some time ago & they arn't mendedyet.
I used this in 'A chorus line' pre opening to the show. By having all the 'Twirlies' [dancers gypsirs] of the cast, enter thru the FOH onto the stage - as for a 'cattle call'.

 Doing this as a vioce warm up [if I can remember it correctly?]
"ONE,
one two one, 
one two three two one,
one two three four three two one,
one two thre four fivefour three two one,
one two three four five six five four three two one,
one two three four five six seven six five four three two one,
One two three four five six seven eight!
EIGHT!
eight seven eight!
eight seven six seven eight,
eight seven six five six seven eight,
eight seven six five four five six seven eight,
 eight seven six five four three four five seven eight,
eight seven six five four three two three four five six seven eight,
eight seven six five four three two one.
One two one,
ONE.
one two one."

[& repeat on & on & on up & down the scales!]

(it mus t be getting close to christmas again?)

'Twirlies' not to be confused with t'wirly's. The old age pensioners who tended to use the 'workers only' bus services in the UK, because they were cheaper or more frequent at rush hour peak periods.
When they got on the bus to tender thier fare, they would always comment to the bus conductor/driver. "Am I 'too early - Duc's?

 
[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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avcastner
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bullet Posted: 11/04/07 at 11:17am
Originally posted by jayzehr

Why don't you tell us what you do now and we can add others if we have them?
 
We play a few games:
 
broccoli, tomato
zoom
kitty wants a corner
tongue twisters
seeing a sport
question game
bus stop
dating game
newleywed game (for plays with couples)
assassin (sp?)
relay races
playground games like duck-duck-goose and red-light/green-light
Simon Says
 
 
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drose
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bullet Posted: 11/04/07 at 12:16pm
Ok.  I don't know what some of these are.  Broccoli, tomato?  Zoom?  Kitty wants a corner?  Bus stop?  Assassin?  Maybe I just don't recognise the names, but use similar warm-ups?  My assistant director likes to run a warm-up called Ping pong.  We split the cast in half and then we sing a song:  "I've got a head like a ping pong ball I've got a head like a ping pong ball, I've got a head like a ping pong ball, like a ping - like a ping pong ball!  Like a ping, like a ping, like a ping pong, ping pong, ping pong, ping pong, ping pong ball.Like a ping, like a ping, like a ping pong, ping pong, ping pong, ping pong ball.  Ping, ping ping, ping ping ping ping ping ping PONG!".. !/2 the cast jumps on ping and 1/2 the cast jumps on pong.  It's been a good warm up for us when when we have a show with alot of singing in the midst of a vigorous dance routine (Chicago, and the Cinderella waltz)  And it's a bit goofy, so people get to act silly.  Yes, some hate it, but it also helps show me where people's heads are at before the show. 
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JoeMc
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bullet Posted: 11/04/07 at 10:24pm
I must admit I have not heard of most of them?
There again it is eons since I was in the playground.
I remember 'Ping Pong' from my Campfire days, except they would put more sound effects prior to the Pongs & the last one they all jump up, then  come down holding thier noses with one hand & make an action of pulling the Dunny chain with the other.
There is also action songs like the 'Baby Elephant Walk', 'Onee Wonee wakee Wah Wah' or 'Heads shoulders knees & toes'.
But what is the 'Green light red light' thingy, now  that seems interesting Avcaster!

[western] Gondawandaland
"Hear the light & see the sound!
TOI TOI CHOOKAS
{may you always play to a full house!}
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TonyDi
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bullet Posted: 11/06/07 at 9:03am
Okay since I'm really good at pissing people off fairly readily, I thought I'd throw in my two cents here.  BUT before I do please understand that I do not have any problem with people who use these games to prepare.  However, I simply WILL NOT, HAVE NOT AND WILL NEVER play these games when doing a show. I find it distracting, distasteful, silly, innocuous, unnecessary, juvenile (in MY OPINION), and a waste of my time to engage myself in what I feel is foolishness that produces little to no results (FOR ME). Oh, yes, I have been forced to do them, I have been threatened with dismissal. But I have to agree with a well known playright who has gone on record as saying that he never has his casts do these kinds of things feeling that they are usually what is the result of the kinds of waste-of-time things that get taught in academia, and that they are not the mark of professional actors. EVERY individual has their own methods of preparation before a show. I do, YOU do, we all do in some fashion.  And please don't tell me it builds rapport with other cast members either.  THAT is what rehearsals do for me. MY preparation is an hour or more in front of the mirror, thinking through loosely my part in the production, while either applying makeup or simply being introspective about my involvement.  I DO NOT need these exercises to properly speak my lines on stage, I do NOT get tripped up and walk on my tongue, nor do I need to rely on vocal or physical exercises to be prepped for what I have been hired to do. MAINLY because a lot of my preparation is done in rehearsal, working out what I'm supposed to know, ingraining that into my head and BEING PREPARED well ahead of time such that these kinds of things are not necessary for me.  I pretty much refuse to do them - not being harsh or a non-team player, but I explain that my preparation is personal and I can guarantee that my ethic will supply the production with the best I can possibly add to it for success.
 
Having said all that, I KNOW many people swear by these kinds of things. I simply do NOT need them because I will have already taken it upon myself to make my own brand of preparations that will not force me to rely upon these kinds of games, to do my job in as professional a fashion as the next person.  And if you think about it, I'm sorry, I am NOT INTO PLAYING GAMES. The mere mention of that word makes me want to run the other direction.  I am NOT a game player.  I'm in it do to the best, most professional job of which I'm capable how ever I get it done.  And playing a bunch of GAMES is simply NOT my view of how to accomplish that. 6 weeks of preparation that builds upon itself exponentially, is how I work.  And if directors I'm working with cannot accept that, then I don't need to be involved. Yet, I know many people do them and if that's what it takes for them, then so be it.  Even when I direct, I simply tell the cast that it is up to them to prepare as they see fit to do the utmost to provide the production with THEIR PROFESSIONAL BEST even in non-professional theater settings.  And if they cannot commit to that much, then I don't want them in my cast.  I've usually always been VERY lucky to have good casts and therefore have not had to resort to "game playing" to accomplish quality production result.
 
PLEASE don't shoot me for this.  I merely state how I work to do what I'm hired to do without the need for playing useless (in my opinion again) games that accomplish nothing from what MY experience has shown me.  It's just a carry-over from academia - who I think don't train actors properly and never will. Academia simply ain't the place to get it.  REAL LIFE and real situations are the only way over time, to learn what works and what doesn't.  HISTORY cannot teach you very much doing theater. ALL it CAN do is teach you that there are as many ways to accomplish (or fail at) things as there are people doing it.  But again, that's my opinion.  If you like playing those games then by all means nothing I say will matter.  I simply will not engage my time and process in doing them because they simply accomplish NOTHING for me that I have not already addressed and given my own personal prep time to. And this is just my opinion after all.
 
If you feel the need to fire away - by all means you have your opinion as well and are as entitled to it as I feel I am entitled to mine.  That's all this is.
 
THANKS
 
TonyDi
 
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bullet Posted: 11/06/07 at 9:31am
So, Tony - - - I'm guessing we can sign you up for "assassin" then?  (Sorry, had to go for it, and lighten just a little)

I'll risk climbing in the noose with you and say "right on."  There a lot of things I've never understood (such as games, and most especially "the mirror") and have also been fortunate not to have to deal with except when I was in academia.  As I gather, these activities are supposed to make you feel part of a group, or get you emotionally in touch, or help let go of the outside world, or....... whatever.

My personal, age-old analogy is the basketball player who practices foul shots. He stands at the foul line and shoots (or tries to) the same shot over and over and over, so that every time he gets fouled, the ball goes in.  He could also turn around, and with eyes closed, and throw the ball over his head.  But in a game, he will never do that.  So why practice it that way? As you rehearse it, so shall ye perform it.

The actor's job - his or her responsibility - is to appear on stage, and say his/her lines and move his/her body in a manner consistent with the playwright's intended message.  That's what s/he needs to practice, and it takes a cared-for voice and body to do that.  And, beyond what is involved in taking care of it in off-hours, that is what will come from rehearsal, not recess.

You will get more from reading, observing people, eavesdropping on conversations, getting involved in plays, and getting involved in life, than standing in a circle singing the broccoli song.

In my opinion. :)
There are no small roles, only roles with a low line-load and minimal stage time.

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jayzehr
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bullet Posted: 11/06/07 at 9:59am
Well, TonyDi, I agree with a lot of what you say, there are a lot of games that seem pointless to me as well. However, I have come to the conclusion that warm ups are beneficial. Relaxation is very important to the actor and one of the best ways to achieve that is by physical activity, especially stretching. There is also the benefit of the entire cast being together, doing the same thing at one time. This helps focus the group and increases concentration.
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