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padfoot13
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bullet Topic: Good Headset Suggestions
    Posted: 4/05/06 at 10:19pm
Our backstage headsets (for the stage manager, the director in the audience, and booth) have rather bit the dust. We replaced them about 5 years ago, but with all the shows we do, they take a pretty good beating. We're looking around for good headset systems, perhaps heartier than the ones we have bought in the past. Any suggestions on types or brands?

THANKS!
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tblan
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bullet Posted: 4/11/06 at 12:09am
I've always had good luck with clear-comm systems.  Our base station is nearly 20 years old and is still going strong.
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jcorkran
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bullet Posted: 4/14/06 at 9:29am
I, too, would love to hear recommendations for entire systems.  We have recently moved into a new theater and are still in the process of turning it into an actual theater.  (It was supposedly designed as a theater, but this was obviously done by someone who knew nothing about theater requirements.)  Anyway, we have tried cordless sets, which don't work -- all we get is a buzz.  So I'd like to install a wired system, but don't know much about them.  Any suggestions?
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bullet Posted: 4/25/06 at 4:29pm
Telex makes a system compatible with Clear Com, but usually a little cheaper.  Shop around on line.  You will need an amp for the system and lots of cable.  Some systems required XLR connections, where as others have a 5-pin connection.  Also, you will want to get single-muff headsets.  If your house positions don't move around a lot, think about hardwiring the system.  Don't forget to put outlets for mobile packs near where your tech table is set up.
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bmiller025
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bullet Posted: 5/01/06 at 1:00pm

Clear Comm makes the best and most expensive ones. Telex is also a participant, but I don't like their reliability or quality. I would suggest the products of Production Intercom. Good quality, and a bit less expensive than Clear Comm.

http;//www.beltpack.com

http://www.brianmiller.biz/BrianDesign.htm
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acmeactor
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bullet Posted: 5/02/06 at 9:07am

We have been using an Eartec system for 6 years now and it works perfect and much cheaper than Clearcom.

http://www.eartec.com/

 

Dave

 

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mattyjaco
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bullet Posted: 11/15/06 at 1:55am

Last Year our theater purchased a set of 8 motorola buisness class MURS radios, then purchased headsets for them, in my opinion they are so much better than wired systems, directors, stage managers can move around the theater, green room or wherever and still stay in communication.

Heres a link

http://www.mytoolstore.com/motorola/motindex.html

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Mike Polo
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bullet Posted: 11/15/06 at 9:22am
We've been using similar radios for about 6 years with excellent results. The headsets are flimsy and have to be replaced periodically, but the radios themselves are first class and perform beautifully.
Mike Polo
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JShieldsIowa
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bullet Posted: 11/15/06 at 10:10am

One of the theatres I work with uses the mortorola head sets and we've had a lot of problems with them.  The shows are performed in a metal pole building so I figure that might be the cause of the problems.  One of the other theatres I've worked with uses Clear Com and those worked much better (for the price difference I would hope so!) 

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TimW
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bullet Posted: 11/16/06 at 9:05am
I have worked with both the Motorola with headset at one theatre and currently using a clearcom system at another theatre. My preference is a wired system for general shows. You don't have to worry about missing a cue as much since you can talk at the same time as someone else. I have also worked a musical where the stage manager worked double duty having a wired connection to the tech's and a wireless for the scene changes, including fly's, so they could move freely.
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