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k8tt
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bullet Topic: Opening Nights
    Posted: 11/01/05 at 2:08pm

I am considering advising our Community Theatre Board to change opening nights for our next season from Fridays to Saturdays.  We are finding our adult cast members (most of whom work during the weekdays) just exhausted by Friday and unable to give out the amount of energy required for a great opening night performance. 

They rebound on Saturdays and for the Sunday matinees (our best performance times energy-wise) but then by the next Friday are lackluster again.  Any other theatres have this problem? 

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Scott B
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bullet Posted: 11/02/05 at 2:58am
Nope.  We run dress on Tues & Wed ... and run Thurs, Fri, Sat.

Not only that, but historically our best attended shows have always been Fridays.  We figure that it's the end of the week, people go out to eat and see the show.  That leaves Saturday for them to kick back or do whatever. 

Case in point ... just finished a run where on the second week we had 132 for Thursday, 185 for Friday, and 132 for Saturday.
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dboris
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bullet Posted: 11/02/05 at 12:34pm
Originally posted by k8tt

I am considering advising our Community Theatre Board to change opening nights for our next season from Fridays to Saturdays.  We are finding our adult cast members (most of whom work during the weekdays) just exhausted by Friday and unable to give out the amount of energy required for a great opening night performance. 

They rebound on Saturdays and for the Sunday matinees (our best performance times energy-wise) but then by the next Friday are lackluster again.  Any other theatres have this problem? 

Yes, in my experience Saturday's are normally the best performances, but it should not be necessary to give up your opening Friday. One of the directors that I work with a lot actually gives the cast off on the day before opening. This might seem scary to some directors, but I can say from experience that it works, a day of rest may actaully do more good then a day of rehersal at that point.

Another downside to shortening your opening weekend is that your reduce the amount of "word of mouth" that gets out about your show. The more people that see a show opening weekend, the more work of mouth that will help drive sales for the rest of the run.

Dan

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looking2bcast
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bullet Posted: 11/02/05 at 2:15pm
We run a pick up rehersal on Thursdays and that seems to motivate the crew more but we have found that our audience isnt as big on the Firdays for the same type of reasons. So we too are thinkig about geting rid of the Friday performances.  
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k8tt
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bullet Posted: 11/03/05 at 12:33pm
Perhaps a dress rehearsal on the Wednesday instead of the Thursday would be better for a Friday opening.  One of our problems is that we don't have our own theatre space and have to rent, so we want to get the most out of our time.  We cram a lot into those few days before opening night.  Too much, maybe.
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bullet Posted: 11/03/05 at 8:27pm
My director always does a Wednesday rehearsal, Thursday is free, and then opens on Friday. It works very well.
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dougb
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bullet Posted: 11/04/05 at 11:54am
We do our dress rehearsal on Thursday and have opening night on Friday.  We pay royalties for the dress rehearsal, call it a "Sneak Preview" and invite another non-profit to use it as a fund raiser for their organization.  Some make a big dinner out of it and charge $25 a person others just put a premium on the ticket price.  In either case the other non-profit keeps all the money.  All it costs us is $60 for the royalties.  In return we get a good audience out for fun for our dress rehearsal which helps us a lot.

Our closing night almost always sells out so we started having closing night on Sunday night.  We have great houses on both Saturday and on Sunday.
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castMe
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bullet Posted: 11/04/05 at 11:49pm

The theaters I work in typically run Thur, Fri and Sat with a few Sun matin?es thrown in.  When I direct, I NEVER rehearse the night before we open.  This goes back to when I was single and needed the evening to catch up on my laundry so I didn't stink to high heaven on opening night, but I found my casts loved having that night off.  Most of our actors have day jobs and Wed night off is just enough to keep them fresh.  I have heard some actors say they need that Wed rehearsal, but my feeling is no one is going to forget the show in one night and the benefits out-weigh the cost.  I schedule additional rehearsals early on in the process.  If need be you can always call in one or more actors (I always tell them to keep that date open) to run scenes that need additional work, but my feeling is if you ain't ready on Wednesday, no way in hell will you be ready on Thursday.

Investigate. Imagine. Choose.
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Wishbone
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bullet Posted: 3/20/06 at 7:53pm

Well, it would really depend on your personal situation.

Questions to ask....

Is your Friday night your best attended show?.....Is it the worst attended?.....Could you afford to lose your Friday night audiance?.....Is there another possible solution to the problem?.....Could you possible make Friday a "sneak peak" dress rehearsal and charge less?

Another thing you could do is get a piece of paper. Make two columns. Label them "Pro" and "Con". Lists the pros and cons of not having a Friday show. This will make it easier to make a final decision.

Hope I have helped!

Wishbone

Once upon a time I was a shy young thing
Could barely walk and talk so much as dance and sing
But let me hit that stage I wanna take my bow
Cause Momma I'm a big girl now - "Hairspray"
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Mike Polo
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bullet Posted: 3/21/06 at 8:40am

We run our dress on Wednesday, then leave it to the director's discretion as to what to do Thursday night... Personally, I hate having a dark night but I also don't want a cast that's wiped for opening night. I like to run a line rehearsal on the Thursday before opening. No blocking, no acting, just lines. It's tough mentally, because you're used to doing the lines while moving (I've had some actors who HAVE to get up and move for certain sections), but rather relaxing otherwise. Most casts try to get through it as fast as possible. It usually takes about an hour. They walk out feeling more secure in their lines, and I am sure that they've gone over them.

Mike Polo
Community Theater Green Room
http://www.communitytheater.org
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