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tristanrobin
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bullet Topic: The PerformanceThat Knocks Your Socks Off
    Posted: 10/28/05 at 10:09pm
You know that thrill you get when you see a riveting piece of
theatre?!

Whew.

I just saw "Lady Day at Emerson's Bar and Grill" at the Long Wharf
Theatre in New Haven.

What a performance - the concentration, the focus, the intent, the
moment-to-moment surprises - the joyful uplifting spirit - the
tragic realizations - and THE VOICE. One woman in a real tour de
force piece.

I'm still in aglow from seeing it. One of the few times in my life when
I didn't hesitate, but instinctively jumped to my feet to applaud.

What's your favorite performance (other than your own magnificent
ones, of course LOL)?
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Juliet
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bullet Posted: 10/29/05 at 10:20pm
I saw The Miracle Worker a couple of months ago. The production had been done 10 years ago with the same people playing helen and anne sullivan as the one most recent, but you wouldn't have ever known it. It was amazing! and so inspiring...
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bullet Posted: 10/30/05 at 4:49pm
I saw Much Ado About Nothing in March of 2003 at the South Coast Reperatory Theatre in Costa Mesa, CA.  It was incredible!  Douglas Sills played Benedick to the hilt!
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Joan54
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bullet Posted: 10/31/05 at 8:56am
Medea/Macbeth/Cinderella....at Yale....magic.
"behind a thin wall of logic panic is waiting to stampede"
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POB14
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bullet Posted: 10/31/05 at 9:48am

Originally posted by tristanrobin

What's your favorite performance (other than your own magnificent
ones, of course LOL)?

Well, since that leaves out the VERY best . . .

Christopher Plummer as Iago.  (Opposite James Earl Jones as Othello, who was rather good himself)

Sometimes I'm asked why I don't join the crowd in their standing ovations for local shows.  I tell people that I gave Plummer a standing O for that show, and the next performance I see that's that good will get one too.

POB
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bullet Posted: 10/31/05 at 10:23am

great topic! I have seen a few shows that blew me away but 2 come to mind.

1) Woman in Mind at ISU Summer Stage 1989. I had never seen such a powerful play.(at that time)

2) My own dear husband(before I met him) As Peter Patrone in the Heidi Cronicles. Beautiful play and his preformance was flawless. I married him after all

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bullet Posted: 10/31/05 at 4:05pm
Originally posted by POB14

Sometimes I'm asked why I don't join the crowd in their standing ovations for local shows.  I tell people that I gave Plummer a standing O for that show, and the next performance I see that's that good will get one too.

Amen!  Don't remove what makes the standing ovation special by giving it at every performance, even if it makes you seem rude.  And don't be upset when you don't get one.  You'll appreciate the ones you do get for truly inspired work even better.

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bullet Posted: 11/01/05 at 1:32pm

I think that the over-use of the standing ovation is an American trait.  Anywhere else in the world ( that I have experience with) it seems that they are rare and well deserved events.  Here everyone seems to leap to their feet ( perhaps their bums are numb) at every play.  I think it should be as described above... a spontaneous "leaping to your feet without hesitation."

I rather like it when the theater is really bad and the audience let's them know it's bad.  I was at a bad play once when an audience member stood up at intermission and announced "I want my money back" and several people agreed with him.  Now that's drama. 

"behind a thin wall of logic panic is waiting to stampede"
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bullet Posted: 11/02/05 at 12:20pm
Not long ago I attended a very long, very boring production of a play followed by an even longer, even more boring curtain call.  Then they started the curtain call over again!!!  By the time the second curtain call was well underway we were leaving in droves.  The director thought it was a standing ovation!!!
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bullet Posted: 11/03/05 at 10:03am

In 1984 I saw a professional dinner theatre production of Annie.  This was closing night and the entire cast of the next show, which happened to be 1776 was in the audience.  This was a theatre in the round.  When the orphans completed "Never Fully Dressed" reprise in Act II, the audience would not stop applauding.  The ovation, and this is not an exaggeration, was over 4 minutes.

To this day I can still see a girl on each corner of the stage and the center entrances to the stage with their arms up, not knowing what to do, and tears streaming down their faces, with huge smiles at the same time.  The best part was that Miss Hannigan did not blow the whistle until the ovation was over.

Truly a memorable night.

John

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