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castMe
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bullet Posted: 11/04/05 at 6:23pm
I second Wait Until Dark.  One of the few shows where you can solicit an actual scream out of the audience. Fun stuff and a great role for a good young actress. 
Investigate. Imagine. Choose.
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bernster74
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bullet Posted: 3/25/06 at 12:53pm

All good suggestions.  Wait Until Dark turned out to be one of our best sellers of all time.  I love getting the audience to scream!

Has anyone any experience with the following suspense/thrillers? (good audience response?  tickets sales?  etc.?).

-Veronica's Room, Ira Levin
-An Ispector Calls, J.B. Priestly
-Dial M for Murder, Frederick Knott
-Earth and Sky, Douglas Post
-The Bad Seed, Maxwell Anderson
-Accomplice, Rupert Holmes

Or if you still have other suggestions for good thrillers, let me know.

Any feedback you have would be appreciated.  Thanks!

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bullet Posted: 3/25/06 at 1:21pm

Accomplice by Rupert Holmes (yes the same Rupert Holmes that did the Pina Colada song and the Mystery of Edwin Drood) - so many layers it's like peeling an onion.   We did it three season ago, audiences loved it.

Veronica's Room - one of the best pay off endings ever.  It's in our 06-07 season.

An Inspector Calls - one of the worst plays, let alone thrillers I've ever had the misfortune to read.   I can't imagine sitting through a production of it.

The Bad Seed - Almost as bad as Inspector.  There is no mystery there is no thrill and the ending is predictable.   Maxwell Anderson has a way with language that's a lesson in how NOT to write for the stage.

Don't know enough about Dial M or anything about Earth and Sky to write an informed opinion.

 

 

 

 

BD

"Dying is easy, comedy is hard."
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bullet Posted: 4/01/06 at 8:59pm
If you can find two good actors and a great crew, read Sleuth.  Many, many twists and turns. 
Investigate. Imagine. Choose.
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