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Gaafa
Celebrity
Joined: 3/21/04 Location: Australia Online Status: Offline Posts: 1181 |
Posted: 3/25/04 at 7:55pm |
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"If you shake the hand of any agent - check your fingers to see how Many is missing?" Also check the condition & that there is the right amount of scripts &/or scores - prior to using them. If you find they are damaged/missing in any way, contact the agent immediate. .Because you could be charged for any damage done or loss by others.
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Joe
Western Gondawandaland turn right @ Perth. Hear the light & see the sound. Toi Toi Toi Chookas {{"chook [chicken] it is"} May you always play to a full house} |
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jtonner
Star
Joined: 2/02/04 Location: United States Online Status: Offline Posts: 56 |
Posted: 4/09/04 at 11:01am |
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It appears that the majority of musicals being refered to in the answers to this post are from the big houses, i.e., MTI, Tams and Samuel French. It is possible to do musicals from smaller rights houses for much less than the major companies. There are smaller companies that have musicals, such as Anchorage and Pioneer. There are also more and more companies that are licensing only a handful of shows. I have seen a number of flyers come through for shows like this. The major problem with the shows from these companies are the quality. Some of the shows are excellent, but some are very bad. You have to be very careful when choosing shows from the non majors, make sure your script committee is careful. Another problem with using shows from the smaller houses is name recognition. You will not be able to get the shows everyone knows like "Annie", "The Music Man", "Guys and Dolls"., etc. You can find some musicals with well known names that are not he show everyone knows. There are a number of "Phantom of the Operas" and "Beauty and the Beasts" avaliable, but they are not Andrew Lloyd Weber or Disney versions. If you are going to do a first musical, my suggestion is to choose a show you can afford, and even more importantly, do well. If you do a small lesser know show well, you have a better chance of getting the audience to come back than if you do a big well know show poorly. John |
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John
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mrpianisteb
Walk-On
Joined: 5/25/04 Location: United States Online Status: Offline Posts: 0 |
Posted: 5/25/04 at 8:48am |
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Hi there,
? I wanted to let the forum know, that I've made a post regarding accompaniment tracks and the use of MIDI/audio tracks for musicals. I am a Music Director and have produced music tracks as well as I've worked as a pianist and/or M.D. on numerous musicals. I've produced tracks for many of the popular musicals and am accepting commissions to custom work on shows for the coming theatre season. Contact me if interested in using MIDI tracks for your next musical production accompaniment. Thanks, Ed Bisquera Pianist/Keyboardist/Musical Director MIDI Producer and Consultant (360) 513-8787 mrpianisteb@comcast.net |
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