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Scott B
Celebrity ![]() Joined: 12/08/04 Online Status: Offline Posts: 239 |
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In my case our SM came in the last two weeks and was basically a
gopher. She was a student in the directors class at the local
university and was getting extra credit for class. So in this
case the girl would have had no experience in giving notes ... it had
to come from the director.
The cast did realize they had a bad night and they were able to come back from it quite well. However ... I don't ever want to go through another brush up rehearsal like I endured a week ago. I still think that let to the melt-down. |
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Nyria
Celebrity ![]() ![]() Joined: 1/20/05 Location: Canada Online Status: Offline Posts: 157 |
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Once the show goes up - the director's job is over. Often - in professional theatres the director is already gone to their next gig. I would even say the SM shouldn't give notes after the show is up - but if it's really necessary then yes. Especially in community theatre something is bound to come up. Although technically you're not supposed to give notes after opening night - if you need to to make the show a success - do it. And if you are doing theatre with kids they may actually need it! |
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NYRIA
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pauliebonn
Star ![]() Joined: 4/15/05 Location: United States Online Status: Offline Posts: 62 |
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Give the notes! If the cast was that bad, the notes are NEEDED! I have had directors do that to me before...but on the other hand, I have also had directors go to the individuals if the performance was bad, and give them notes that way.
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looking2bcast
Player ![]() Joined: 10/05/05 Location: United States Online Status: Offline Posts: 21 |
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We give notes all the way up until the last weekend of the run but they are good and bad. I am one week from finishing a run and the director just gave me a new way to say a line that I love and I think it is going to make the death scene 100 times better. I wish we would have thought of it at the begining of the run. We also tape the shows and let the cast watch it either on their own or at the pickup rehersal and they become their own critics. I noticed things about myself watching it and I changed it on my own. The trick is just to mix the good with the bad enough as to not discourage them.
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Guests
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It really depends on how much you trust your stage manager (and how much confidence they have in themselves) in the artistic end of the job. If the SM is coming from a directorial or acting experience and has added valuable insight throughout the rehearsal process, just leave it in their hands. Meet with the SM privately if you feel they are not maintain the show to the level you left it. On the other hand, if your SM is new to the position or has lots of experience in tech and no performance or directing experience, you might want to discuss this issue before you even get into Tech Week. Maybe when you are polishing or working on interpretation. Most SM's know when they're not up to it. Sometimes even perfectly capable SM's would rather have the director give the notes because of a bad relationship between the cast members and the SMs (although we expect good morale and relationships, there are those few shows where the SM is not a good personality match for the cast). In any case, if you feel that your show is so far off base from what it was opening night--do something about it. The overall success of a play may affect actors a bit, but it's your reputation on the line as a director. |
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pookie
Walk-On ![]() ![]() Joined: 10/15/05 Online Status: Offline Posts: 0 |
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You answered your own question. They knew they didn't put out the energy. They need to know that you know it, and that you know they're capable of better, and that you're sure that they'll sell the play the next time. Let them fix it themselves! |
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Teach a man to fish and he will eat for a day. Teach a man the internet and he won't bother you for weeks.
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