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 Community Theater Green Room Discussion Board :Producing Theater :Lights and Sound
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LEHCo
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bullet Topic: Purchasing lights
    Posted: 9/14/09 at 6:40pm
Hi All,

I'm hoping for some help.  I'm the Treasurer and Member of our local theatre company that we began just a couple of years ago.  We use our local community center for our shows and have been hiring out for lights and sound.  We have gotten a couple of grants and are looking to purchase lights to start.  We have a person giving us some advice, but since I have no technical knowledge and I'm the one searching and having to buy the equipment I was hoping for info on what and where to purchase.

We are looking to start with 4 Leko lights, the equipment to hang them, and gels.  Can anyone advise me on what I  specifically need in terms of these lights and the equip to hang and where I can purchase (most likely online if that's okay).

Thanks in advance!  I feel completely clueless!!

Lucille

Thanks!
LEHCo
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Gaafa
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bullet Posted: 9/14/09 at 10:26pm
I'm more than a bus ride away, so not much help there, with local suppliers.
With the latern purchase, would come 'C' clamps [hanging] & gel frames, usualy as part of the deal, if you buy new lights.
Unless the grants stipulate only new equipment, you could look at second hand & getting a lot more for your brass.
If this is an option contact the hire company, you use, as they possibly update thier hire stock from time to time & you may be able to pisk up some of this old gear. If they flog it off at etter than trade in prices.
A few new lighting suooliers sell off thier trade in's occassionaly, others generaly smash them up as land fill & dump them on the local rubbish tips. But even these companies, will at times offer them to local community theatres.
The techie who is advising may be able to give you a few clues on getting hold of some gels, to start with & even a source of used gels that can be cut diwn to suit. This is a good way of gaining a stock of them over time.
With the 'Profile' {ERS}lighting use of gells & gobo's, instead of the Leko's, the Selecon Pacific Range may be a cheaper & more versitile option. As there is little or no heat factor, to burn out gels or gobo's, as there is with out lighting equipment avaikable. Also you can produce your oiwn gobo's, known as Fergo's on the Pacific profile lamps ;- Selecon Lighting
 
 I did a deal with our local Council, who owns the community venue we use. They agreed to match the grant I got from the State Government, on a dollar for dollsr basis. We endended up getting a $(AUD)40 000 for equipment, which they matched [$80 000 total], the only concession I made was the equipment could be used by other hirers of the venue. In turn we insisted on all venues hirers who wish to use the venue lighting & audio equipment for a show. There is a fee of $100/performance for our theatres duty tech added to the hire the fee.
Which gives the theatre & the Council an assurance the equipment is not used 'n abused. The fee goes to the the purchase of gels & equipment service maintenance. The duty Techs perdium is also a private treaty between the techie & the theatre.
The system is working well, so much so, the Theatre gets the credit of the duty tech fee/performance, leaving the duty tech to make any further arrangements with the hirer to work the show or whatever at an hourly rate.
The duty techs [who are nainly retired]have also become indespensable to the Council, for technical assistance at other venues. Thus raising the profile of the theatre, which has become expressed with further grants & sponsorships.
Maybe it could be in your groups interest to come to similar arrangements with your venue owners?
Not only but also, you could suppliment your lighting rig with domestic, industrial & commercial light fittings. Most of which can be converted &/or modified to suit theatre. As floods, scoops, birdies & fresnels [soft edge spots].
These can be picked up cheaply thru 2nd hand salvage yards or whatever. Rather than just having [profile] hard edge spots from FOH [or 'Y' positions].
Further do you have a lighting desk & dimmer rack control equipment?
 
      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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bmiller025
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bullet Posted: 9/14/09 at 11:48pm
I likely can give you some help with this, but a little more information would likely help. How big is your theater? Is this a first step in building a larger inventory of lights? If so, you may want to think about whether you want to try to buy used equipment from a nearby supply house or not. It is a whole lot easier to have a good sized inventory of the same type of light, rather than three or four of each of several different manufacturers. Do you need to purchase dimming capacity as well? There are many different types of lights available out there, and there are different sized lamps that go in them.

Depending on your budget, you can choose very modern lights, or buy lights that were designed a long time ago. For some strange reason, though, the price points for these different types are less varied than they should be.

For example, I assume the most common ellipsoidal spotlight in the US market these days is the ETC Source Four. These lights can handle either a 575W or a 750W lamp. They also come in different focal lengths. You can buy interchangeable lens tubes that work with these lights that have beam angles of 5, 10, 14, 19, 26, 36, 50, and even 70 or 90 degrees. The lenses at the extreme ends of this scale cost a whole lot more than the others do.

These lights are very efficient. That means that they put out a whole lot of light, and a lot less heat than other, less modern designs.

Lights that have descriptions such as 6x9, 6x12, or 6x16 are older designs.  These lights come with 500W, or 750W, or even 1000W lamps. But for the most part, they don't put out anywhere near as much light as the Source 4s do. They are still pretty expensive though.

The choice you make in the kind of lights you purchase will also inform what sort of dimming capacity you will need. Small systems have a capacity of 600, 1200, 1800 or 2400 watts per dimmer. Again, depending on the type of lights you purchase and the space you are lighting with them, that all should inform what dimming capacity you will need.

If your space is small, and you don't expect to need to project light more than about 20-30 feet at maximum, there may be another option for you. I would suggest a simpler version of the Source 4 called the Source 4 Jr. It only takes a 575W lamp, the lights have fewer features to them, but you can buy a zoom version, that goes from 25 degrees up to 50 degrees.  For that capability, these lights are a whole lot less expensive than the regular Source 4. Not everyone likes these lights though. They don't blend as well for washes.

How much do all of these cost? That is the big question! An online supplier that I use most frequently is Production Advantage, in Vermont. Great prices, most of the time. There are many others though, and you need to consider more than one, to get the best prices for your needs. Anyone who you ask will have their favorites. I just looked up prices of some of this stuff on their website - A Source 4 36 degree is $279.00, a Source 4 Jr. Zoom (25-50 degree) is $236.00. The Selecon Pacific lights that Gaafa suggested are in the $500-600 range.

What else do you need? How do you plan to hang the lights? Will you be able to permanently mount a length of 1 1/2" black steel pipe in your space to hang the lights? How many lights do you anticipate eventually owning? These questions all will inform what exactly you need to do.

Gels, by the way, are a disposable commodity. They come in individual sheets that are 18" x 24" or so, and there are several major manufacturers, and hundreds of colors available. They cost on the order of about $5.75 per sheet in Denver, where I live.  Most of the time, you will want to budget for gel for each show you do. The stuff doesn't last forever, and your designers should pick colors that work with the set and costumes.

If you live near a major city, find the theatrical supply houses there, and contact them. They should be able to help you to understand what you need, and give you prices for for their suggestions.

Have you checked with the company that you have been "hiring out" from?
http://www.brianmiller.biz/BrianDesign.htm
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Gaafa
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bullet Posted: 9/15/09 at 10:02pm
Very good pionts there Brian.
To us here Selecon is cheap, as compared to other lamps available. as they are produced just over the ditch from here. Source 4's in ameates here are a rarety & price prohibitive, along with other imported equipment [except from China]. Most still use a lot of old Strand lamps, as indeed we do with Profiles, Fresnels & cyc batten/floods.
Years a go when I was working in proeatre, I would ask the local theatre groups to supply a rubbish bin, for the old colour gels that were changed out of the rig, from time to time. As most of the old gells were large & the colour leached out at the centre. They cuold cut out useable sections, for thier smaller lamps.
I assume from your post, as you normaly hire in gear, you would may have Lighting Battens & Bars already installed.  If not they are easy enough to do, we put in all our own, along with patch circuits for lighting & audio. That is if the venue will alow you of course, which can also be done on a portable basis & would possibly mean Bumping In/Out for each production.
AS brain suggested sticking to a minimal amount of brands, types & size, is an avantage, if you have the budget?
I'd certainly take up Brains offer of assistance, even if you have your own techies - depending upon where you are & the logistics.
      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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LEHCo
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bullet Posted: 9/24/09 at 11:13pm
Thank you both for your help!  This is great information!  I'll try to address the questions that you posed to give you more info about our situation. 

We are using a local community center that we rent a stage to have built and bring in the lighting and remove it when the show is done.  It is not large and we seat about 200 people.  This is exactly a beginning in purchasing lights, we will eventually buy more and hope to move to our own building someday (aahh, dreams..).  We just want to start with a small purchase of about four lights to get us started.  The "company" we are currently renting from is actually a DJ and his lights that he uses for parties, so we are exceedingly limited in our lighting.  They are not good at all for theatrical work.  We will need to purchase a board too so we can control everything.  We will need to purchase a bar and chains to hang everything, but we can't make anything permanent.  I'm not sure how many we will eventually purchase for the final amount.  Any additional advice you can give will be very welcome!  Thanks again!

Lucille

Thanks!
LEHCo
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Gaafa
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bullet Posted: 9/25/09 at 9:43pm
You can purchase or make up your own portable lighting tee bar ]tree] stands or lighting battens.
Something like this;-
 
 
I try not to use lighting tree stands, unlesss they can be safely secured, as they have a habiit of commiting suicide & falling over, you loose a lot of punters that way!
If the venue owners are prepred to allow you to fix anchor pionts for the lighting battens, you could leave the battens there of course.
You can make up the battens by fixing a pre wired patch circuit duct, to the batten pipe.
However I suggest you latch on to & use a qualified sparky to do this.
A lot of the components can be got from salvage yards or by rubbish dump skip diving.
Back in the dark ages, when I was about 9, I made up my own theatre lighting rig, with lamps from large baby food tin cans, these were just floods & salt water dimmers [aka 'Piss Pots']. But thats all another story! - It is more difficult these days as most large cans are aluminium & have painted printing on them. {The contents of the print can be a health problem, when heated by the globes].
 
 
      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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