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Gaafa
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bullet Posted: 3/25/04 at 7:55pm


I think there is an old adage that goes

 "If you shake the hand of any agent - check your fingers to see how Many is missing?"

Also check the condition & that there is the right amount of scripts &/or scores - prior to using them. If you find they are damaged/missing in any way, contact the agent immediate. .Because you could be charged for any damage done or loss by others.
The amount of times some  companies charge for the same damage/loss is amazing!
Another thing if you are dealing with scripts/scores from another country - check on who is liable for the freight both ways &/or any customs duty/tax, that may be applied at your end.
I have only ever been given a refund once & that was in the form of a future credit.
Always remember if you use the net to promote your production - Big Bother is watching!
A few theatre groups here, have found this out & all they were left with - was the rough end of the pineapple!.
 

 

      Joe
Western Gondawandaland
turn right @ Perth.
Hear the light & see the sound.
Toi Toi Toi Chookas {{"chook [chicken] it is"}
May you always play
to a full house}

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jtonner
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bullet Posted: 4/09/04 at 11:01am

It appears that the majority of musicals being refered to in the answers to this post are from the big houses, i.e., MTI, Tams and Samuel French.  It is possible to do musicals from smaller rights houses for much less than the major companies. 

There are smaller companies that have musicals, such as Anchorage and Pioneer.  There are also more and more companies that are licensing only a handful of shows.  I have seen a number of flyers come through for shows like this.  The major problem with the shows from these companies are the quality.  Some of the shows are excellent, but some are very bad.  You have to be very careful when choosing shows from the non majors, make sure your script committee is careful.

Another problem with using shows from the smaller houses is name recognition.  You will not be able to get the shows everyone knows like "Annie", "The Music Man", "Guys and Dolls"., etc.  You can find some musicals with well known names that are not he show everyone knows.  There are a number of "Phantom of the Operas" and "Beauty and the Beasts" avaliable, but they are not Andrew Lloyd Weber or Disney versions.

If you are going to do a first musical, my suggestion is to choose a show you can afford, and even more importantly, do well.  If you do a small lesser know show well, you have a better chance of getting the audience to come back than if you do a big well know show poorly.

John

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mrpianisteb
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Joined: 5/25/04
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bullet Posted: 5/25/04 at 8:48am
Hi there,
?
I wanted to let the forum know, that I've made a post regarding
accompaniment tracks and the use of MIDI/audio tracks for
musicals.

I am a Music Director and have produced music tracks as well
as I've worked as a pianist and/or M.D. on numerous musicals.
I've produced tracks for many of the popular musicals and am
accepting commissions to custom work on shows for the
coming theatre season.

Contact me if interested in using MIDI tracks for your next
musical production accompaniment.

Thanks,

Ed Bisquera
Pianist/Keyboardist/Musical Director
MIDI Producer and Consultant
(360) 513-8787
mrpianisteb@comcast.net
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